The 1980 sci-fi cult classic wasn’t just noteworthy for its swords and special effects; it exhibited a new approach to pop music in film, one which would dominate in the coming decade.

With "Crash" out on Blu-ray this week from Criterion, we look back at the various attempts to translate JG Ballard's work to the screen.

Rob Reiner’s adaptation of Stephen King’s novel, released 30 years ago this week, remains a fascinating examination of creative work, fandom, and femininity.

Two iconic 1950 films looked at the challenges of aging for actresses – and have lost little of their relevance in the ensuing seven decades.

When ‘Mona Lisa Smile’ arrived in theaters in 2003, many critics wrote it off as a lesser ‘Dead Poets Society’ – which is wildly reductive to both the film and its themes.

M. Night Shyamalan’s ‘Sixth Sense’ follow-up – released 20 years ago this week – wasn’t based on a comic book. But it captured the spirit of comic books and super heroes as few other films have.

The 1948 thriller has the look and pedigree of film noir, but it’s a clear forerunner for the police procedurals to come.

Pierce Brosnan’s first James Bond adventure hit screens 25 years ago this week – and marked a turning point for the venerable spy franchise. A look back:

Aaron Sorkin’s first dramatization of life in the West Wing hit theaters 25 years ago, and it seems even more like fantasy today.

Our "Noirvember" celebration continues with Joseph H. Lewis’s 1955 masterpiece, the story of an obsessed cop’s pursuit of a ruthless gangster (and the collateral damage along the way):

When Joe Wright made his take on Austen’s classic in 2005, he had to find a way to make this oft-told tale fresh. Here’s how he did it:

I recently discovered there are two types of people in this world: Kentucky Fried Movie people and Amazon Women in the Moon people. Even though both films are memorable comedies from my youth, I’m more of a Kentucky type of fella. As someone who grew up adoring the movie’s writers (Jim...

On this, its 30th anniversary, it’s as easy as ever to dismiss Kevin Costner’s Oscar-winning Western epic. But it’s not quite that simple.

Orson Welles’s 1947 thriller is a must-add for your "Noirvember" watchlist – and a rich match of style and substance.

John McNaughton’s sun-drenched 1998 noir, now streaming on Hulu and Amazon Prime, remains a delightfully twisted and unapologetically sleazy treat.