Clint Eastwood’s latest stumbles a bit on its way out of the gate, but eventually settles in as an enjoyable and even moving character-driven...

Michael Showalter’s seriocomic biopic has its share of missed opportunities, but the performances (particularly Jessica Chastain in the title role)...

Our mini-reviews of ‘Dark Blood,’ ‘Death Drop Gorgeous,’ ‘Giddy Stratospheres,’ and more:

The new-to-Netflix action flick may be built from recycled parts, but Mary Elizabeth Winstead gives it the lift it needs.

The new drama from Paul Schrader is a return to his familiar themes and preoccupations, but rendered with urgency, sensitivity, and a fair amount of...

Riz Ahmed continues to impress, not only as an actor but writer, in Bassam Tariq’s hip-hop infused drama.

Marvel’s latest is refreshingly light and fast-paced, and (mostly) free of the copious lore that has weighed down much of the franchise.

Our mini-reviews of ‘Zone 414,’ ‘When I’m A Moth,’ and more of this week’s direct-to-VOD titles.

Nia DaCosta’s ‘Candyman’ remake is sharp, scary, thoughtful – and a vast improvement over the 1992 original.

The over-the-top comedy (new on Hulu) offers up a handful of laughs and some missed opportunities.

Lisa Joy’s debut feature is an ingenious and ambitious mashup of sci-fi and neo-noir, with stellar performances to help sell its occasionally dodgy...

The gun-blazing action vehicle has all the depth of a throwaway programmer, but little of the pleasure.

Surprisingly enough, ‘Free Guy’ is a witty, thoughtful, and engaging piece of pop entertainment.

Our mini-reviews of ‘Faking a Murderer,’ ‘Notorious Nick,’ ‘Crime Story,’ and more new straight-to-VOD titles:

Leos Carax’s Cannes award-winning Sparks musical is delightfully daft, unapologetically operatic, and frequently spellbinding.