One of the running refrains of Daniel Roher’s musical bio-doc Once Were Brothers: Robbie Robertson and The Band is that the group was more than...

There’s some sort of irony in Willem Dafoe providing the voice of a cartoon seagull just a few months after he so memorably appeared opposite a...

From their screenplay for Alexander Payne’s The Descendants to their joint directorial debut, 2013’s The Way Way Back, Nat Faxon and Jim Rash...

It’s significant that Portrait of a Lady on Fire is written and directed by a woman--Celine Sciamma--as well as photographed by a female...

For a group of professional ghost hunters, the main characters in Camp Cold Brook are surprisingly unhappy to discover that the abandoned summer...

It would be easy for Come as You Are to turn into a cloying, condescending lecture about how the disabled are people, too, and there are times when...

DC Comics’ Gotham City has not traditionally been a kind place for women. Bruce Wayne’s mother Martha was assassinated in the street for her...

Knowing a little about Come to Daddy’s creative pedigree is probably the biggest indicator of your potential reaction to this wild and bizarre...

Horace B. Jenkins’s Cane River (opening in Brooklyn this Friday) is one of those stories of cinematic archaeology where the backstory threatens to...

At this point, the “Help, I’m trapped in a time loop!” premise has become a Hollywood staple — don’t forget that we have not one, but two...

Kajillionaire is writer-director Miranda July’s first feature film in nine years, and while it’s set in the present day, you’d be forgiven for...

Christmas-themed horror movies have become a thriving subgenre in recent years, providing micro-budget horror filmmakers with easy subject matter...

Horror filmmakers love to build stories filled with outrageous furnishings, but any lasting power their movies have is due to how hard they strike a...

If nothing else, the low-key Canadian drama The Rest of Us makes a surprisingly strong case for Heather Graham as a dramatic actor. Graham is...

Worth begins with a lighthearted, dynamic, Aaron Sorkin-esque scene that sees lawyer Ken Feinberg (Michael Keaton) introducing his class to the...