Welcome to Harvey’s Hellhole, a monthly column devoted to spotlighting the movies that were poorly marketed, mishandled, reshaped, neglected or just […]
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This month’s look at the cinematic misdeeds of the Weinsteins takes it back thirty years, when a certain pulpy flick set off a wave of crazy/sexy/cool crime stories.
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Twenty years ago, before the Weinstein brothers left Miramax to start the Weinstein Company, they released a shoulda-been prestige project that barely made a ripple.
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This 1985 musical drama has a place of importance in American indie cinema that you might not guess from its current low profile.
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Thirty years after its controversial release, a look back at Larry Clark’s notorious portrait of youth gone to seed in mid-’90s Manhattan.
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On the eve of its much-ballyhooed re-release, a look back at the hubbub around one of the few movies Miramax couldn’t (technically) release.
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A look back at Miramax and Dimension’s various re-cuttings and re-packagings of the works of the legendary martial artist and screen comedian.
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Welcome to Harvey’s Hellhole, a monthly column devoted to spotlighting the movies that were poorly marketed, mishandled, reshaped, neglected or just […]
Read more
In spring of 1995, with the releases of “Exotica,” “Muriel’s Wedding,” and “Priest,” Miramax was ready to test the limits of censors and audiences.
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Even the Iranian master Abbas Kiarostami fell victim to the indifference of Miramax with this 1994 meta-drama.
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For Valentine’s Day, we’re once again looking at the wide variety of onscreen relationships: movies about ill-fated couplings, toxic partners, and […]
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On this Sundance eve, let’s travel back 30 years to find out what Miramax and their competitors were up to in Park City.
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