In anticipation for a new Preston Sturges retrospective, here’s a look at the director’s subversive screwball one-two punch from 1944.
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In anticipation for a new Preston Sturges retrospective, here’s a look at the director’s subversive screwball one-two punch from 1944.
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As awards season approaches, we look back at one of Elizabeth Taylor’s most misunderstood performances.
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This loose and engaging Eugene O’Neill adaptation from John Ford (in the middle of one of cinema’s great hot streaks) was the playwright’s own favorite film take on his work.
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As our yuletide movie week comes to a close, we recommend (well, at least for its first hour) Ingmar Bergman’s familial epic, now streaming on HBO Max and the Criterion Channel.
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Francois Truffaut’s debut feature is one of the seminal texts of the French New Wave, and a thornier-than-usual examination of a childhood informed by the cinema.
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The story goes that producer Walter Wanger came to Frank Borzage with a title, two pages of a script and a […]
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Louis Malle’s solo directorial debut remains a stunning, scorching slice of French New Wave noir.
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This 1973 adaptation of the Richard Stark (aka Donald E. Westlake) novel beautifully captures the stark quality of his distinctive prose. Now streaming on HBO Max:
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René Clair’s 1942 supernatural romantic comedy is the perfect Halloween viewing choice for anyone who isn’t into scary movies.
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Producer Roger Corman gave director Amy Holden Jones free reign to craft a self-aware, feminist-tilting slasher movie (from a script by lesbian activist and author Rita Mae Brown). The results were exploitation magic.
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On its sixty-fifth anniversary, we look back at the greatest collaboration between husband and wife team Federico Fellini and Guilietta Masina.
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Jean-Luc Godard called it his “second first film,” and while his 1980 drama diverged from his ’70s experiments, it was no ‘Breathless’ either.
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