As well as its jokes and social commentary hold up 25 years after its release, the film’s songs and grasp of musical theater history increasingly feel like its defining elements.
Read moreA look back at the classics
As well as its jokes and social commentary hold up 25 years after its release, the film’s songs and grasp of musical theater history increasingly feel like its defining elements.
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Jacques Demy’s enchanting, heartsick 1961 debut isn’t a musical, but that’s not for lack of trying.
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A commercial failure upon its release and all but forgotten since, the Paul Schrader / Michael J. Fox / Joan Jett team-up doesn’t quite land, but has moments of electricity.
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Once a box-office flop, Joe Dante’s celebration of B-movie magic now gets the restoration and appreciation it deserves.
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Three interpretations of Herman Wouk’s “The Caine Mutiny” raise questions about the good and the bad of ingrained hierarchies, and what it means to dutifully and faithfully serve.
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On this, its 45th anniversary, a look back at the magic and mayhem of Jim Henson and company’s inaugural effort.
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Sam Fuller’s 1959 thriller begins as a sordid police procedural, but morphs into something far more unusual and compelling.
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This nuanced story of a liberal father and his fundamentalist son was one of several films Miramax unceremoniously dumped in theaters in the summer of ’99.
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Fifty years after its release, a look back at the brilliant neo-noir mystery and its muddled legacy.
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Hal Ashby’s 1975 Warren Beatty vehicle (now streaming on Amazon Prime) is a sharp political commentary — and a crackerjack sex comedy.
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Robert Hamer’s acerbic class satire wasn’t a guaranteed hit for Ealing Studios back in the day. Seventy five years on, it still feels riskier than any current mainstream comedy.
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Esther Williams was an athlete turned actress and now, over 70 years later, we’re still in awe of her athletic feats.
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