One of the Criterion Channel’s “Restorations and Rediscoveries” this month is Bob Odenkirk’s debut feature, which is ripe for rediscovery.
Read moreA look back at the classics
One of the Criterion Channel’s “Restorations and Rediscoveries” this month is Bob Odenkirk’s debut feature, which is ripe for rediscovery.
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Forty years ago this week, two movies were released that once again proved that the hybrid of horror and comedy works tremendously well.
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Now that Roger Corman has joined all four original Ramones at the CBGB in the sky, we look back at their 1979 collaboration, Allan Arkush’s gonzo punk teen musical.
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Nobuhiko Obayashi’s first American release, which slipped under the radar in 1990, returns for a second glance at its tale of an unhappy grocer finding new meaning among Chinese students.
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The rock-and-roll greaser adventure movie, released 40 years ago this week, remains a fascinating anomaly and a one-of-a-kind jukebox oddity.
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The 1980 expansion of Dan Aykroyd and John Belushi’s ‘Saturday Night Live’ characters (now streaming on Amazon Prime Video) is a deliriously over-the-top stew of great music, crashing cars, and deadpan comedy.
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Nearly a century after its premiere, Abel Gance’s silent epic is finally available in its original form.
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With the Oscar-nominated ‘Robot Dreams’ arriving in theaters this week, here’s a look back at ‘Heartbeeps,’ the saga of two robots who dared to dream of more than servitude.
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“The Thin Man” captured everything soon to be forbidden by the Hays Code in an exemplary crime comedy anchored by one of the screen’s most charismatic couples and their dog.
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Featuring a mesmerizing performance from Ray Milland, Hitchcock’s “Dial ‘M’ for Murder” still stuns as a gruesome tale of jealousy and revenge. A look back, on the eve of its 70th anniversary.
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Fifty years after its release, this adaptation of the Henry James novella ranks a notch below Peter Bogdanovich’s previous four films, though it’s not as far removed in quality from his magical initial run as its reputation suggests.
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In 1994, Disney embarked on its first home-video sequel, inadvertently kick-starting an era where the studio began to cannibalize itself for content.
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