Twenty years later, the supernatural rom-com remains an antidote to the godawful films that attempted to capitalize on Jennifer Garner’s action hero appeal.
Read moreA look back at the classics
Twenty years later, the supernatural rom-com remains an antidote to the godawful films that attempted to capitalize on Jennifer Garner’s action hero appeal.
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Thirty years on, Shu Lea Cheang’s debut feature cum experimental sci-fi political critique comments pitch-perfectly on issues that plague our contemporary world.
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Reese Witherspoon portrays Tracy Flick as something teenage girls in film are so rarely allowed to be: unrepentantly ruthless in their ambition.
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Peter Bogdanovich’s 1981 screwball comedy (now streaming on Max) is a lightweight soufflé of a movie, inadvertently shrouded in tragedy.
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In 1994, both films took a stab at resurrecting a Freddy Krueger-type character. What they ended up doing instead was argue in favor of the horror genre itself.
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Fifty years after its release, the controversial drama still has the power to shock and unnerve.
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The late, great French filmmaker is in the spotlight on the Criterion Channel.
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With Peter Weir announcing his retirement from filmmaking, a look back at his first feature, the pitch-black comedy ‘The Cars That Ate Paris.’
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In between the two “Godfather” films, Francis Ford Coppola made this down and dirty surveillance thriller. Released fifty years ago this week, it might just be his masterpiece.
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In “The Best Man,” a politician played by Henry Fonda considers accusing another, played by Cliff Robertson, of being a “homosexual.” It was the first time the word was used in a major movie.
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In five films of varying quality, Patricia Highsmith’s sociopathic con artist has proved to be highly adaptable, both personally and artistically.
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Remembering one one the great character actors of modern cinema, in the wake of his passing at age 88.
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