Adam Sandler’s latest Netflix effort is wildly predictable, but held aloft by the charisma of its players.
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Adam Sandler’s latest Netflix effort is wildly predictable, but held aloft by the charisma of its players.
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Our mini-reviews of ‘I’m Charlie Walker,’ ‘Sewer Gators,’ ‘ScarfFace,’ and more.
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David Cronenberg’s latest is a body-horror infused sci-fi film noir more interested in posing questions than answering them.
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Chloe Okuno’s unnerving thriller puts the audience in the shoes of a woman being watched — rather than those of her voyeur, as most other films do.
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The legacyquel to the 1986 summer blockbuster offers up the expected action and stunts, alongside surprising doses of pathos.
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Our mini-reviews of ‘Bad Influence,’ ‘Jurassic Tale,’ ‘Straight to VHS,’ and more.
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Hollywood keeps getting the video game adaptation wrong. So how did the ‘Resident Evil’ movies get it right?
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Alex Garland’s latest is ambitious and pointed, but this series of broadsides against toxic masculinity never quite comes together.
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Carey Williams’ one-crazy-night college comedy is a conscious throwback – with an edge.
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Ninja Thyberg’s debut feature is all about porn, but it’s not interested in delivering the thrills its title promises.
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Universal is trying its best to keep you from seeing ‘Firestarter’ – so why not watch this superior telekinetic-tyke movie instead?
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Our mini-reviews of “Lockdown,” “Tankhouse,” “A Taste of Blood,” and more of this week’s direct-to-VOD fare.
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