Audrey Diwan’s drama was powerful enough to win the Golden Lion at Venice. Now, unexpectedly, it’s even more pointed and potent.
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Liam Neeson plays a veteran hit man with advanced Alzheimer’s – which you’d have to have to not recognize his latest as a wheezy, tired retread.
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The latest from proud provocateur Gaspar Noé is gentler than you might expect – without departing from his customary aims and interests.
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This year’s Sundance-anointed horror favorite delivers the requisite shocks and thrills, with plenty of thoughtful character drama to boot.
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Our mini-reviews of ‘Titanic 666,’ ‘The Aviary,’ ‘Sexual Drive,’ and more direct-to-home-viewing choices.
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The latest from director Robert Eggers is a brutal yet beautiful Viking riff on ‘Hamlet,’ executed with bloody grace and burning performances.
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The Nicolas Cage meta-movie is an enjoyable valentine to the actor, even if it’s a bit too intoxicated by its own cleverness.
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Jane Schoenbrun’s haunting, low-budget psychological horror drama delves uncomfortably deep into living one’s life online.
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Our mini-reviews of “My Sweet Monster,” “Godforsaken,” “Spiritwalker,” and more recent straight-to-VOD fare.
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Michael Bay’s latest is a silly but smashing entertainment, an extended chase that takes all of his signature flourishes and cranks them up to top volume.
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Janus Metz Pedersen’s slow burn espionage thriller has plenty of ambition and two game stars, but little else going for it.
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The long-long-long-delayed Jared Leto supervillian tale has finally hit theaters, and it was not worth the wait.
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