Netflix’s new “direct sequel” to the 1974 masterpiece is a shameless travesty, and an embarrassingly transparent attempt to recreate the success of the 2018 “Halloween.”
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Channing Tatum makes his (co)directorial debut in a film that is not without its charms – or considerable flaws
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It sounds like a garden-variety YA adaptation, but the voice of innovative director Josephine Decker cannot be stifled.
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The new Amazon rom-com is formulaic and predictable, but the charisma of its stars goes a long, long way.
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A look at this week’s VOD highlights (and lowlights), including ‘Supercool,’ ‘Exorcist Vengeance,’ and ‘Along Came Wanda’:
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The newest installment of the daredevil series is explosively funny – and surprisingly sweet.
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Joachim Trier’s festival favorite boasts a wonderful lead performance, but the filmmaker’s shallow understanding of her plight makes for an uneven viewing experience.
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A look at some of the festival’s darker offerings, including “Fresh,” “Master,” “Hatching,” “Resurrection,” and more.
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Our mini-reviews of ‘Warhunt,’ ‘They/Them/Us,’ ‘Lockdown,’ and more.
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Our first festival dispatch, featuring mini-reviews of ‘When You Finish Saving the World,’ ‘Dual,’ ‘892,’ and more.
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This oddball family fantasy has been sitting on a shelf since 2014, and it’s not hard to see why.
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The latest installment of the venerable slasher franchise fumbles occasionally, but its heart is in the right place.
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