The Anthony Hopkins / Olivia Colman vehicle sounds like formula Oscar bait, and on its surface, maybe it is. Look deeper.
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The Anthony Hopkins / Olivia Colman vehicle sounds like formula Oscar bait, and on its surface, maybe it is. Look deeper.
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Our mini-reviews of ‘Phobias,’ ‘Shoplifters of the World,’ ‘To Whom It May Concern,’ and more.
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The genre-infused relationship comedy boasts a terrific cast and clever concept, even if it doesn’t quite stick the landing.
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The Russo Brothers’ latest is a mess, a mishmash of visual and storytelling clichés, stranding a miscast Tom Holland in an embarrassing attempt at a Serious Crime Movie.
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“Yes Day” isn’t going to set the world on fire, but it’s a pleasant enough diversion and a serviceable family entertainment.
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Our mini-reviews of ‘Cosmic Sin,’ ‘The Dead of Night,’ ‘Dark Web: Cicada 3301,’ and more.
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The long-awaited sequel to Eddie Murphy’s 1988 comedy classic hits all the notes you’d expect – and that’s the problem.
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Disney’s latest is a lush, detailed, joyful feature that offers viewers a much-needed shot of beauty and adventure.
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Apple TV+’s new Billie Eilish documentary offers extensive access, copious music, and even some thought-provoking material on fame and fandom.
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Lee Isaac Chung’s family drama is deeply personal and deeply moving.
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Our mini-reviews of ‘Body Brokers,’ ‘Alone With Her Dreams,’ ‘Safer at Home,’ and more under-the-radar VOD titles.
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The new Netflix thriller ‘I Care A Lot’ is a sharply-told tale of con artists and casual criminals, with another knockout performance from Rosamund Pike.
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