‘Portrait of a Lady on Fire’ star Noémie Merlant is back in ‘Jumbo,’ your average girl-meets-amusement-park-ride romance.
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The latest from ‘Bridesmaids’ screenwriters and co-stars Kristen Wiig and Annie Mumolo is an oddball delight.
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Shaka King’s dramatization of the murder of Fred Hampton is a rare historical drama that pulses with the urgency of now.
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A look at some of this week’s under-the-radar releases, including ‘The Mimic,’ ‘The Right One,’ and ‘Murderous Trance.’
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Mike Cahill’s sci-fi-infused philosophical drama has some big ideas, but never pulls them together into a coherent narrative.
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John David Washington and Zendaya do their best, but Sam Levinson’s new Netflix drama is an axe-grinding bore.
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Jerrod Carmichael’s feature directorial debut walks a tightrope of comedy and tragedy, and somehow makes it to the other side.
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Prano Bailey-Bond’s debut feature is part meticulous recreation of the “Video Nasties” era, part intense psychological drama.
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Apple’s new Justin Timberlake vehicle has its heart is in the right place, but that’s about all it’s got going for it.
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John Lee Hancock’s serial killer thriller has been knocking around Hollywood for nearly 30 years. It should’ve stayed hidden.
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Our mini-reviews of this week’s under-the-radar releases, including ‘Agent Revelation,’ ‘PG: Psycho Goreman,’ and ‘Respite.’
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Frank Oz’s Hulu documentary captures a Broadway performance of DelGaudio’s one-man show, in a manner that preserves the production’s surprises and secrets.
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