Our mini-reviews of “Ted Bunny,” “Hellfire,” “Last Ride,” and more new under-the-radar on-demand offerings.
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Whether working separately or collaborating on a film project, Elvis and Osgood Perkins have created a body of work that reflects the anxieties and melancholy of mortality.
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Our mini-reviews of “Grizzly Night,” “The Morrigan,” “Acts of Love” and more of this week’s on-demand treasures and trash.
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Our mini-reviews of “How to Lose a Popularity Contest,” “Dooba Dooba,” “Revolver Lily,” and more new under-the-radar on-demand offerings.
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The new independent drama “Rosemead” turns the spotlight on a section of Los Angeles that’s rarely recognized on screen.
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Our mini-reviews of “Super Happy Fun Clown,” “Sleepwalker,” “Tapped” and more of this week’s on-demand treasures and trash.
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Jason Reitman’s 2020 lockdown remake of the fantasy comedy classic may be the best and most heartfelt tribute to Rob Reiner’s legacy.
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Our regular contributors share their favorite movies of 2025 — both new and old.
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Amid the typical low-budget productions with goofy titles, a trio of accomplished Australian films made 2025 a standout year for sharksploitation cinema.
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“Avatar” might have “fire” in its title, but James Cameron’s sci-fi epic was just the latest of many 2025 films that dealt with the danger and destruction of fast-moving flames. This year, a new favored ecological threat emerged on the big screen.
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The streamer’s far-from-benevolent attitude towards theatrical releases was a recurring talking point in 2025.
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The Oscar-winning actor’s 2025 is arguably the feather in the cap of a singular career.
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