On the 40th anniversary of its release, a look back at Rob Reiner’s sophomore feature — one too often overlooked among his jaw-dropping string of ‘80s all-timers.
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Chantal Akerman’s 1982 drama is a valentine to the pleasures and heartaches of the night.
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Woody Harrelson is just as thrilling as the underwater rescue in this drama based on a true story.
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Even the Iranian master Abbas Kiarostami fell victim to the indifference of Miramax with this 1994 meta-drama.
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To mark Irish writer/director Neil Jordan’s 75th birthday, a look at where he got his start.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Contradictions and controversies were inescapable at this year’s Berlinale. Marshall Shaffer reports from the ground at a hotly contested festival where the action off-screen was just as noteworthy as anything on it.
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Alternative weekly newspapers may be a dying breed, but Joan Micklin Silver’s warm, funny film captures the heyday of the counterculture publications and the people who created them.
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William Friedkin’s 1985 cop thriller is noteworthy not only for its 80s aesthetics and hard-hitting action, but for its cold, dark heart.
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Osgood Perkins’s latest thriller is an unfortunate miscalculation, poorly meshing comedy and horror, with each undercutting the other.
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Made in 1999, Zeinabu irene Davis’ unique film, inspired by silent cinema, chronicled the lives of Black, Deaf women in Chicago.
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In honor of his 100th birthday, we revisit a late career masterpiece from a director whose time in the dream factory could sometimes be a nightmare.
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