Our annual showcase of offbeat holiday movies begins with one of the gnarliest we’ve ever recommended.
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With this audacious adaptation, RaMell Ross has made the best movie of 2024.
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As critics’ prizes and award body nominations are announced, let’s take a moment to acknowledge the genre films that will probably be ignored.
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With cult director Alex Cox on the cusp of turning 70, we look at ‘Walker,’ the film that rendered him unemployable in Hollywood.
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Welcome to Harvey’s Hellhole, a monthly column devoted to spotlighting the movies that were poorly marketed, mishandled, reshaped, neglected or just straight-up destroyed by Harvey Weinstein during his reign as one of the most powerful studio chiefs in Hollywood. Let’s once again go back to a year that was horrible for him — but great […]
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Our mini-reviews of “Dick Dynamite: 1944,” “Endless Summer Syndrome,” and, God help us, a horror version of “The Little Mermaid.”
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Two decades on, the Europe-set caper remains a wittily subversive heist movie.
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Otto Preminger’s 1944 film noir fave maintains its ability to delight and surprise.
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Kyle Mooney’s “one crazy night” sci-fi comedy has a few good ideas, a movie star performance by Rachel Zegler, and a whole lotta filler.
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Marielle Heller’s latest rides into the winter amid festival praise and awards buzz. But there’s something vapid at its center.
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Our mini-reviews of “Breakup Season,” “A Sudden Case of Christmas,” “Home-less for the Holidays,” and more new straight-to-streaming holiday movies.
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Stanley Kubrick’s final film, which turned 25 this year, has become an unexpected holiday perennial. It has also become a repository for conspiracy theories.
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