“West Indies” is an unusual musical which calls for revolution against the persistence of colonialism and capitalist exploitation.
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Generally considered a classic of the so-bad-it’s-good variety, the original “Road House” is, in actuality, a great movie that subverts viewers’ expectations at every turn.
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Our mini-reviews of “The Last Year of Darkness,” “Easter Bloody Easter,” “Powder Pup,” and more straight-to-home fare.
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Primarily known for his romantic comedies, the late filmmaker is at his best while exploring the darker side of humanity in “Changing Lanes” and “My Cousin Rachel.”
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Fassbinder’s “Querelle” got razzed for its music, but it was a bold and unapologetically homoerotic final statement from the iconoclastic filmmaker.
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There is not enough whiskey in the world to make this Lindsey Lohan romance worth watching.
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Our second report from SXSW focuses on fiction instead of documentary – and the films that fall somewhere in between.
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Our first report spotlights the wide range of quality non-fiction film (and television) screening in Austin.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Thirty years on, one of the Coens’ biggest box office bombs looks better than ever.
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Amazon’s new remake of the 1989 action fave is a real puzzler – a reasonably well-made exercise in head-scratching IP revisionism.
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The ’50s greaser drama, currently streaming on Netflix, boasts fascinating early turns by Sylvester Stallone and Henry Winkler.
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