Our final Sundance report spotlights some of the fest’s best documentary selections, including “Ibelin,” “Luther: Never Too Much,” and “Soundtrack to a Coup d’Etat.”
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Our final Sundance report spotlights some of the fest’s best documentary selections, including “Ibelin,” “Luther: Never Too Much,” and “Soundtrack to a Coup d’Etat.”
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Our Sundance coverage continues with reviews of “Handling the Undead,” “A Real Pain,” “Thelma,” and more.
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Alfred Hitchcock’s gripping, suspenseful morality play about shipwreck survivors during World War II is just as relevant now as when it was released 80 years ago.
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Daisy Ridley stars as a woman who struggles to connect with other people in this humble, gently affecting indie.
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Amazon Prime’s Snoop Dogg sports comedy is a waaaaay too familiar riff on the “Bad News Bears” formula.
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More mini-reviews from Park City, including Steven Soderbergh’s “Presence,” “Between the Temples,” “Will & Harper,” and more.
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Unfortunately for all of us, Stanley Kubrick’s Cold War masterpiece has never stopped being timely.
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Our mini-reviews of “In the Morning of La Petite Mort,” “Wanted Man,” “Bad Hombres,” and more of this week’s video-on-demand fare.
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Our first report from Sundance 2024 includes mini-reviews of “Love Lies Bleeding,” “Girls State,” and “It’s What’s Inside.”
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A trio of ’80s post-apocalyptic exploitation films currently streaming on the Criterion Channel tests the adage about imitation being the sincerest form of flattery.
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Norman Jewison’s 1979 courtroom comedy/drama, now streaming on Amazon Prime Video, features Al Pacino at his roaring, twitching, sweating best.
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The new backwoods thriller wants to be a solemn, occult-tinged parable on how real-life evil will always be more damaging and destructive than mythical evil. But it comes out looking like a banal, buffoonish mess.
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