In “The Brink’s Job,” director William Friedkin and screenwriter Walon Green found the humor in one of the most notorious bank robberies in Boston by playing with the standards set by previous crime films set in the Commonwealth.
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First released in December 1973, Robin Hardy’s folk horror remains a fascinating piece of mishandled cinema.
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Our mini-reviews of “Vengeance: Rise of the Footsoldier,” “Werner Herzog: Radical Dreamer,” “Fast Charlie,” and more.
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The 1997 crime film/modern-day western is one of Stallone’s best performances. And one of his most personal.
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Twenty years ago, Miramax dropped the filthiest, funniest gift into theaters – following even more behind-the-scenes drama than usual.
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Sixty years ago, Georges Franju paid tribute to one of his filmmaking heroes with an affectionate remake of Louis Feuillade’s “Judex.”
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William Oldroyd’s adaptation of Ottessa Moshfegh’s novel is a wickedly entertaining mash-up of psychological thriller, film noir, and lesbian pulp.
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Todd Haynes still surprises with this blackly comic drama inspired by the Mary Kay Letourneau scandal.
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Our mini-reviews of ‘The Christmas Classic,’ ‘El Sabor de la Navidad,’ ‘Christmas with Jerks,’ ‘Nightmare on 34st Street,’ and more direct-to-video holiday fare.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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The 1988 coming-of-age tale ‘Cinema Paradiso’ was practically patient zero when it came to Miramax taking a middlebrow foreign film and turning it into a much-adored, Oscar-winning hit.
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Two decades ago, Park Chan-wook’s revenge thriller reinvented Korean cinema. A decade Later, Spike Lee remade it.
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