Editor-in-chief Jason Bailey reports from the 61st edition of the New York Film Festival, with thoughts on new films from Todd Haynes, Richard Linklater, Jonathan Glazer, Pedro Almodóvar, Frederick Wiseman, and more.
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Editor-in-chief Jason Bailey reports from the 61st edition of the New York Film Festival, with thoughts on new films from Todd Haynes, Richard Linklater, Jonathan Glazer, Pedro Almodóvar, Frederick Wiseman, and more.
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Robert Bresson’s penultimate film — now streaming on the Criterion Channel — remains challenging, difficult, and darkly funny.
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Twenty years ago, Michael Bay produced the cinematic rebirth of Leatherface, initiating a series of increasingly dire horror remakes.
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Joe Bob Briggs creates the ultimate celebration of B-movie culture for three days at a Las Vegas drive-in theater.
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Recent restorations of three early Adzrej Zulawski films (‘The Third Part of the Night,’ ‘Diabel,’ and ‘On the Silver Globe’) comprise an apocalyptic trilogy unlike any other.
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A look at how the venerable slasher trope changed for the times, via one film each from the ’70s, ’80s, and ’90s.
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“We were young and making a feature film! I think that kind of enthusiasm has a lot to do with the fact that while you’re young your standards are low. If you shoot something that looks like a real movie, that puts you into euphoria.” At 83, with the Godfather films, Apocalypse Now, and The […]
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There are not enough synonyms for “weird” to describe this delightfully dirty A24 musical comedy.
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Kitty Green’s tense drama pits two women against a world of bad men in the Australian Outback.
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Kristen Roupenian’s ‘New Yorker’ short story becomes one of the most bafflingly batty films of the year.
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Rebecca Miller’s comedy squanders a great cast and a fun premise with a crazy twist.
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Victor Erice’s masterpiece of the horrors of the Franco era is perfect spooky season viewing for those who prefer more symbolic scares.
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