Our mini-reviews of “Barber,” “Condition of Return,” “The Curse of the Willow Song,” and more.
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Our correspondent reports from a TIFF of strike-inspired uncertainty and wildly uneven selections.
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Critics complained that Cliff Robertson’s Best Actor win for ‘Charly’ (released 55 years ago this month) was “based more on promotion than on performance.” Sound familiar?
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The city of Venice has been the setting for many macabre tales. With “Don’t Look Now,” director Nicolas Roeg told one of its most chilling.
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Basically a feature-length “American Masters” episode, it’s a standard-issue but satisfying documentary on the sharp-dressed square who set off the new wave of rock-star reporters in the 1960s.
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Historical monster Augusto Pinochet turns into a literal vampire with this beautifully shot horror comedy from Pablo Larraín.
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Craig Gillsepie’s dramatization of the GameStop stock saga is fast and funny, with razor-sharp work by its stellar ensemble cast.
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Martin Scorsese’s ‘The Age of Innocence’ remains one of the only adaptations of Edith Wharton’s work. On its 30th anniversary, we explore what binds these two artists together.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Despite the ongoing SAG-AFTRA strike, the Italian festival managed to be business as usual, for better or worse.
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Not everything about Sofia Coppola’s second film has aged like a fine wine, but its portrait of two adrift souls is timeless.
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When Robbie Robertson passed last month, he left behind arguably the greatest concert film ever made.
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