From ‘The Exorcist’ to ‘The Omen’ to the drive-in schlock that rode their coattails, ’70s audiences (and filmmakers) couldn’t get enough of Old Scratch.
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From ‘The Exorcist’ to ‘The Omen’ to the drive-in schlock that rode their coattails, ’70s audiences (and filmmakers) couldn’t get enough of Old Scratch.
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Emma Seligman and Rachel Sennott’s dark comedy about a lesbian fight club doesn’t pull any punches.
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“Ashkal: The Tunisian Investigation,” “Brightwood,” and “The Dive” are the highlights of this week’s indie VOD titles.
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Peter Weir’s survivor drama was too much for audiences in 1993, but it stands as one of his (and Jeff Bridges’s) towering achievements.
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Alain Resnais’ 1959 drama, now streaming on the Criterion Channel, asks again-timely questions about dramatizing tragic events.
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The latest from writer/director Dustin Guy Defa is a thoughtful, insightful piece of work that goes on just the tiniest bit too long.
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Forty years on, “Easy Money” remains Rodney Dangerfield’s least celebrated and most honest slobs-versus-snobs comedy because, for once, the slobs lose.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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After a strong run of ensemble and co-lead turns, Angela Bassett finally got the chance to shine as a true lead, delivering a well-rounded, self-empowering performance that viewers have rarely seen in the subsequent quarter-century.
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Charles Laughton was not the first film actor to play a real-life character on screen – far from it. But his performance influenced the trajectory of the biopic genre, demonstrating the full potential of actors to redefine historical figures in the public imagination.
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Gal Gadot stars in this lifeless, featureless Netflix spy movie.
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The story of this 1979 Kennedy assassination satire is as crazy as its plot. Ahead of a new restoration and re-release, a look back at this hidden gem.
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