Margaret Qualley dominates Christopher Abbott — and the audience — in this wonderfully twisted BDSM comedy.
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Margaret Qualley dominates Christopher Abbott — and the audience — in this wonderfully twisted BDSM comedy.
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Paul Schrader’s latest is a piercing character study and a tough meditation on the limits of redemption.
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To mark the 100th anniversary of director Seijun Suzuki’s birth, the Criterion Channel has programmed a 14-film series spanning the breadth of his dynamic career.
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Our bi-weekly look at the best new must-see titles on Blu-ray, 4K, and your subscription streaming services.
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Twenty-five years ago, both Christina Ricci and queer cinema noisily came of age in this crass, unapologetic sex comedy.
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George Lucas’s sophomore feature and first big hit (now streaming on Netflix) is a complicated examination of nostalgia and coming of age.
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J. Lo is on a quest to protect her daughter – and her flawless skin – in this maddeningly mediocre Netflix thriller.
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This exploration of the rise and fall of the first mainstream smartphone is the best of the recent “How This Became a Thing” movies.
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A look at the groundbreaking performer, who became a sensation on stage and screen in the early 20th century.
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Our mini-reviews of “Johnny & Clyde,” “Out and About,” two parts of the slasher throwback “The Third Saturday in October,” and more new direct-to-VOD fare.
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This month’s look at the cinematic sins of the Weinstein brothers looks at one of their most egregious: the time they tried to direct a movie themselves.
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George Romero only made one vampire film, but “Martin” might be the darkest movie he ever made.
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