Once upon a time, Miramax tried to go epic, distributing (and, of course, demanding cuts to) Bernardo Bertolucci’s post-“Last Emperor” opus.
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Once upon a time, Miramax tried to go epic, distributing (and, of course, demanding cuts to) Bernardo Bertolucci’s post-“Last Emperor” opus.
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With the Oscars around the corner, let’s go back twenty years, when Miramax basically ruled the Academy Awards – and Harvey was determined to get another Best Picture win.
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Since Sundance Film Festival season is upon us, this month’s “Harvey’s Hellhole” recalls one of the many times Miramax forked over a lot of money for a Sundance hit they eventually and unceremoniously dumped into theaters.
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For its 25th anniversary, we look back at Quentin Tarantino’s ‘Pulp Fiction’ follow-up ‘Jackie Brown’ – its breathless anticipation, initial disappointment, and eventual (and deserved) reappraisal.
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Since ‘Armageddon Time’ is currently in theaters, let’s talk about when its director had to deal with Harvey Weinstein not once, but twice.
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Once upon a time, Robert Altman and a gaggle of movie stars went to Paris to wreak havoc on the fashion industry – on Harvey Weinstein’s dime!
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In light of the tragic passing of Anne Heche, we look back at her indie movie breakthrough – and how it was all but ignored by its distributor.
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This month, we look back at Miramax’s messy mishandling of what should’ve been a slam-dunk entry in the “Shakespeare for teens” craze.
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As we close in on the Academy Awards, a look at how Miramax’s relentless campaigning turned a light romantic comedy into an Oscar spoiler.
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To mark both Black History Month and Valentine’s season, this month’s catalogue of Miramax’s misdeeds looks back at their fumbled release of a low-budget Black romance.
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With Sundance around the corner, we look back at perhaps the most disastrous of Miramax’s many ill-advised, overpriced festival pick-ups.
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Back in 1997, Miramax did Guillermo del Toro dirty. With his “Nightmare Alley” on the way, we look back at that ill-fated collaboration.
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