In his pulpy, complex portrait of a Holocaust denier, documentarian Errol Morris pushes his fascination with “the weird and the morbid” in strange new directions.
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In his pulpy, complex portrait of a Holocaust denier, documentarian Errol Morris pushes his fascination with “the weird and the morbid” in strange new directions.
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To honor the late, great Diane Keaton, a look back at the movie that won her an Oscar and made her an icon.
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This month’s look at the cinematic misdeeds of the Weinsteins takes it back thirty years, when a certain pulpy flick set off a wave of crazy/sexy/cool crime stories.
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This 2018 Swedish science fiction film finds a spaceship’s passengers drifting off course into depression and existential dread.
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Director Joan Micklin Silver and star Carol Kane tell a timeless story of tradition, assimilation, and agency.
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Cameron Crowe’s famous flop may be best remembered for inspiring the term “Manic Pixie Dream Girl,” but its legacy should also include being the first of 20 years of failed launches for a generation of leading men like Orlando Bloom, whose appeal couldn’t translate outside of franchises.
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Volker Schlöndorff and Margarethe von Trotta’s adaptation of the incendiary Heinrich Böll novel premiered in the U.S. fifty years ago this week, but it feels like it hasn’t aged a day.
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The shout-out to Gillo Pontecorvo’s 1966 masterpiece in “One Battle After Another” isn’t casual — and the film itself remains earth-shattering.
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The Japanese punk musical might make older audiences nostalgic for the glory days of basic cable, when a film like this would have found a place in the mono-counter culture.
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The feature film debut of the iconic animated British duo suffered from some American interference.
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The 2000 remake of the ‘70s UK crime classic was meant to help reinvent Sylvester Stallone for the 21st century. It may have kept him stuck in time.
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One decade after introducing Godzilla to the world, Ishiro Honda brought to the screen a more down-to-earth threat to humanity.
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