Disney’s long-awaited spooky season sequel is a cynical, careless cash grab.
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Disney’s long-awaited spooky season sequel is a cynical, careless cash grab.
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Andrew Dominik’s Marilyn Monroe drama offers a star vehicle for Ana de Armas — and a punishing experience for the audience.
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Olivia Wilde’s MUCH-discussed psychological drama may not have justified the festival hubbub, but it’s still worth checking out.
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Gina Prince-Bythewood’s latest has all the hallmarks of a franchise blockbuster — kickass action, fist-pumping triumphs, a rousing score, etc. — but sets itself apart by centering Black women in its narrative.
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Ti West’s ‘X’ prequel is a very different film from its predecessor – and, thanks to the tour de force performance at its center, it may be a better one.
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This contemporary take on ‘Dog Day Afternoon’ is well-acted, well-executed, and morally complicated.
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The new George Miller feature is a little messy, sure. But as a demonstration of sheer filmmaking craft, it’s hard to beat.
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Baltasar Kormákur’s latest delivers on its “Idris Elba vs. a lion” premise, with the actor nicely elevating the sleek survival thriller.
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The latest from filmmaking-writing-acting team Jeff Baena and Alison Brie boasts juicy performances but a sour tone.
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Aubrey Plaza plays it straight in this compelling and effective crime thriller – and comes up with her best performance to date.
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James Ponsoldt’s latest is basically a gender-swapped ‘Stand by Me’, but it lacks everything that makes a good coming-of-age drama.
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Over the course of two movies and a handful of TV episodes, Dan Trachtenberg has demonstrated he’s a sure hand at […]
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