The latest from director Robert Eggers is a brutal yet beautiful Viking riff on ‘Hamlet,’ executed with bloody grace and burning performances.
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The latest from director Robert Eggers is a brutal yet beautiful Viking riff on ‘Hamlet,’ executed with bloody grace and burning performances.
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The Nicolas Cage meta-movie is an enjoyable valentine to the actor, even if it’s a bit too intoxicated by its own cleverness.
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Jane Schoenbrun’s haunting, low-budget psychological horror drama delves uncomfortably deep into living one’s life online.
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Michael Bay’s latest is a silly but smashing entertainment, an extended chase that takes all of his signature flourishes and cranks them up to top volume.
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Janus Metz Pedersen’s slow burn espionage thriller has plenty of ambition and two game stars, but little else going for it.
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The long-long-long-delayed Jared Leto supervillian tale has finally hit theaters, and it was not worth the wait.
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Daniels’ tribute to the iconography and talent of Michelle Yeoh is energetic and ingenious – but a little of it goes a long way.
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The Nee Brothers’ riff on ‘Romancing the Stone’ is as substantial as an éclair – and nearly as enjoyable.
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Pixar’s newest animated feature is a sweet, charming delight – and, in spite of what you might have heard, an extremely relatable one.
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Ryan Reynolds’ latest Netflix action vehicle is about as generic as you’ve come to expect.
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Kogonada’s new soft sci-fi is a thoughtful, emotional exploration of memory, family, and interconnectedness.
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Matt Reeves’ pitch-black take on the Dark Knight is less like a superhero movie than a neo-noir crime thriller.
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