Kenneth Branagh’s latest is wistful, nostalgic, and light as a feather – and that’s its biggest problem.
Read more
Kenneth Branagh’s latest is wistful, nostalgic, and light as a feather – and that’s its biggest problem.
Read more
Rebecca Hall’s period drama is gorgeously photographed, masterfully acted, and sensitively rendered.
Read more
Pablo Larraín’s latest micro-biopic is a fascinating exploration of royal anxiety, boosted by a marvelous Kristen Stewart performance.
Read more
The Tom Hanks-fronted mash-up of post-apocalyptic sci-fi and human drama is a thoroughly engaging and occasionally moving work.
Read more
The scares in Scott Cooper’s horror drama are too long in coming, and ultimately not worth the wait.
Read more
Joanna Hogg’s unexpected sequel to her 2019 semi-autobiographical art house hit is a fascinating exploration of life, art, and the thin line that separates them.
Read more
Wes Anderson’s latest meticulously crafted comedy/drama is a loving valentine to the written word (and the French New Wave).
Read more
Mia Hansen-Løve’s latest is a delightful exploration of art, relationships, and how they overlap.
Read more
Cary Joji Fukunaga’s No Time to Die is a fitting finale to the Daniel Craig era of James Bond, which eschewed […]
Read more
Valdimar Jóhannsson’s psychological thriller / familial drama is another case of the ol’ A24 bait-and-switch, but it’s an affecting piece of work for open-minded audiences.
Read more
The Palme d’Or winner from director Julia Ducournau is a full meal of a movie – by turns shocking, sexy, scary, and heartfelt.
Read more
Netflix’s new Melissa McCarthy vehicle is an odd mishmash of incongruent tones and poorly developed characters.
Read more