The new film adaptation of the Broadway smash is ill-conceived on nearly every level.
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The new film adaptation of the Broadway smash is ill-conceived on nearly every level.
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Clint Eastwood’s latest stumbles a bit on its way out of the gate, but eventually settles in as an enjoyable and even moving character-driven drama.
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Michael Showalter’s seriocomic biopic has its share of missed opportunities, but the performances (particularly Jessica Chastain in the title role) bring it home.
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The new-to-Netflix action flick may be built from recycled parts, but Mary Elizabeth Winstead gives it the lift it needs.
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The new drama from Paul Schrader is a return to his familiar themes and preoccupations, but rendered with urgency, sensitivity, and a fair amount of narrative danger.
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Riz Ahmed continues to impress, not only as an actor but writer, in Bassam Tariq’s hip-hop infused drama.
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Marvel’s latest is refreshingly light and fast-paced, and (mostly) free of the copious lore that has weighed down much of the franchise.
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Nia DaCosta’s ‘Candyman’ remake is sharp, scary, thoughtful – and a vast improvement over the 1992 original.
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The over-the-top comedy (new on Hulu) offers up a handful of laughs and some missed opportunities.
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Lisa Joy’s debut feature is an ingenious and ambitious mashup of sci-fi and neo-noir, with stellar performances to help sell its occasionally dodgy storytelling.
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The gun-blazing action vehicle has all the depth of a throwaway programmer, but little of the pleasure.
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Surprisingly enough, ‘Free Guy’ is a witty, thoughtful, and engaging piece of pop entertainment.
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