Leos Carax’s Cannes award-winning Sparks musical is delightfully daft, unapologetically operatic, and frequently spellbinding.
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Leos Carax’s Cannes award-winning Sparks musical is delightfully daft, unapologetically operatic, and frequently spellbinding.
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The debut feature from director Pascual Sisto is impressively crafted, if a bit too heavy-handed with its influences.
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Tom McCarthy’s latest is a tricky but rewarding picture, complicating our notions of rugged American individualism (and Matt Damon’s screen persona).
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Edson Oda’s Sundance drama is ambitious but messy, with a solid premise and winning performances often undermined by flimsy writing.
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The new Mark Wahlberg drama has its heart in the right place… and little else.
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In his latest thriller, M. Night Shyamalan again proves himself a director who makes ~choices~.
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The latest low-budget genre quickie from producer (and now director) Randall Emmett offers up about what you’d expect: clumsy storytelling, strange casting choices, and about 15 minutes of Bruce Willis.
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The third and final ‘Fear Street’ film is, sadly, more of the same – a few good ideas, some enjoyable performances, but little in the way of follow-through.
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The new Nicolas Cage vehicle ‘Pig’ is being sold as an action-heavy ‘John Wick’ riff. It is not that movie AT ALL.
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The kindest reading of Space Jam 2: A New Legacy is that it exists only to extend the brand of NBA […]
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Marvel is back in the theaters – with a low-energy, checkbox-ticking entry, noteworthy only for the happy addition of a welcome supporting player.
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Netflix’s second “Fear Street” film is a stronger effort than the first – and more steeped in the style (and gore) of its era.
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