The premise of Zack Snyder’s long-awaited ‘Dawn of the Dead’ follow-up is irresistible. If only you could say the same about the movie itself.
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The premise of Zack Snyder’s long-awaited ‘Dawn of the Dead’ follow-up is irresistible. If only you could say the same about the movie itself.
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Michel Franco’s bitterly neo-realistic social drama is a grim, unpleasant, and rarely insightful slog.
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You don’t have to know its labored production and release history to diagnose ‘The Woman in the Window’ as an absolute mess. But that helps explain it.
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David Charbonier and Justin Powell’s low budget horror movie is eerily effective, thanks to a resourceful approach and a spellbinding leading performance.
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Guy Ritchie’s latest is a lifeless, listless, hopeless mess, with the once exciting writer/director (and his frequent star Jason Statham) merely going through the motions.
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Netflix’s new animated family comedy is a rollicking treat – with something to say about technology and personal connection.
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Amazon’s Michael B. Jordan-fronted Tom Clancy adaptation wastes a lot of talent – and your time.
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How good is the latest feature film adaptation of the beloved video game? Well, that depends on what you want out of it.
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Bob Odenkirk’s action debut is a crackerjack thriller – and an enjoyable change of pace for the comic actor.
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Barbara Crampton and Larry Fessenden shine, but ‘Jakob’s Wife’ just takes too long to find its footing.
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Melissa McCarthy and Ben Falcone’s latest has a couple of good ideas, but squanders them in its creaky jokes and general half-heartedness.
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Emma Seligman’s acclaimed feature debut is tense, uncomfortable – and wildly funny.
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