{"id":10106,"date":"2018-08-24T13:20:22","date_gmt":"2018-08-24T17:20:22","guid":{"rendered":"https:\/\/crookedmarquee.com\/stage8\/?p=10106"},"modified":"2019-01-12T14:43:50","modified_gmt":"2019-01-12T19:43:50","slug":"review-papillon","status":"publish","type":"post","link":"https:\/\/crookedmarquee.com\/stage8\/review-papillon\/","title":{"rendered":"REVIEW: <i>Papillon<\/i> Floats Like a Butterfly, Stings Like a Shiv in the Gut"},"content":{"rendered":"<p><strong><em>Papillon<\/em><\/strong> is based on the memoirs of Henri Charri\u00e8re, a 1930s French safecracker who was sent to an inescapable penal colony from which he subsequently (spoiler alert) escaped. But it&#8217;s also based on the 1973 film version of those memoirs (screenwriters Dalton Trumbo and Lorenzo Semple Jr. are officially credited) and hews closely to it. What&#8217;s more, director Michael Noer has cast two actors who bear more than passing resemblance to Steve McQueen and Dustin Hoffman, practically begging us to compare the remake to the original.<\/p>\n<p>And guess what? In most ways, Noer&#8217;s version improves upon Franklin J. Schaffner&#8217;s, which benefited from star power but didn&#8217;t feature those stars&#8217; best work. Charlie Hunnam and Rami Malek have more to prove than McQueen and Hoffman did 45 years ago, as does Noer, a Dane making his English-language debut. The remake is a few minutes longer than the original yet feels shorter, more efficient, more engaging, with a screenplay (by <em>Prisoners<\/em>\u00a0writer Aaron Guzikowski) that brings out the relationship at the story&#8217;s heart.<\/p>\n<p>Robust, well-abbed gentleman Henri (Hunnam), called Papillon because of the butterfly tattoo on his chest, is a non-violent thief who was framed for the murder of a pimp. Given his occupation of stealthy skulduggery, it&#8217;s no surprise his first thought upon arriving in prison is to escape from it. But the prison is in French Guyana, with a shark-filled ocean on one side and desolate wilderness on the other. Anyone attempting escape will need help from outside parties, which means they will need money.<\/p>\n<p>Louis Dega (Malek), in the same freshman class of prisoners as Papillon, is a wealthy forger with access to plenty of dough &#8212; he keeps it hidden in his butt, which was the style at the time &#8212; but no way to protect himself from the hardcore inmates who would slice him open and make a withdrawal if given half a chance. Papillon offers to protect Dega in exchange for cash and escape assistance, and they become an odd-couple pair of pals.<\/p>\n<p>The prison has the cruel guards and dehumanizing punishments you&#8217;d expect, plus brutal labor requirements and the very real possibility of dying due from disease or injury. The sobering realities of life in a penal colony are presented matter-of-factly (I wasn&#8217;t exaggerating about the cutting-you-open thing), and Noer doesn&#8217;t shy away from them. But he doesn&#8217;t dwell on them, either, and the bleakly compelling story of endurance and strength is really the story of a noble friendship marked by unspoken tenderness. Neither Hunnam nor Malek is a heavyweight actor (yet), but both offer scrappy sincerity.<\/p>\n<h3>Grade: <span style=\"color: #ff0000;\">B<\/span><\/h3>\n<h5><em>2 hrs., 13 min.; rated R for\u00a0violence including bloody images, language, nudity, and some sexual material<\/em><\/h5>\n<hr \/>\n<div><em>Join our <a href=\"http:\/\/crookedmarquee.us16.list-manage.com\/subscribe?u=dc6679cd997ec610eeaf50562&amp;id=db71dbf4c3\" target=\"_blank\" rel=\"noopener\">mailing list<\/a>! Follow us on <a href=\"https:\/\/twitter.com\/CrookedMarquee\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>! <a href=\"https:\/\/crookedmarquee.com\/stage8\/writers-guidelines\/\">Write<\/a>\u00a0for us!<\/em><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Papillon is based on the memoirs of Henri Charri\u00e8re, a 1930s French safecracker who was sent to an inescapable penal [&hellip;]<\/p>\n","protected":false},"author":92,"featured_media":10107,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1381,340],"tags":[],"class_list":["post-10106","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-movie-reviews"],"_links":{"self":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/10106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/users\/92"}],"replies":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/comments?post=10106"}],"version-history":[{"count":0,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/10106\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media\/10107"}],"wp:attachment":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media?parent=10106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/categories?post=10106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/tags?post=10106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}