{"id":10395,"date":"2018-10-15T05:00:58","date_gmt":"2018-10-15T09:00:58","guid":{"rendered":"https:\/\/crookedmarquee.com\/stage8\/?p=10395"},"modified":"2019-01-12T14:41:34","modified_gmt":"2019-01-12T19:41:34","slug":"paranormal-activity-and-toxic-masculinity","status":"publish","type":"post","link":"https:\/\/crookedmarquee.com\/stage8\/paranormal-activity-and-toxic-masculinity\/","title":{"rendered":"<i>Paranormal Activity<\/i> and Toxic Masculinity"},"content":{"rendered":"<p class=\"p1\"><span class=\"s2\">The story in Oren Peli\u2019s <i>Paranormal Activity<\/i> (2007) concerns a young San Diego couple, Micah and Katie, who set up a camera to document the strange occurrences in their house. On the surface, it\u2019s a horror film about battling supernatural forces \u2014 not exactly new ground for the genre. But now, in a different time, a new meaning reveals itself: The film succinctly argues against patriarchal masculinity and the harm it causes women; Katie is our substitute for Dr. Christine Blasey Ford or any number of other victims. <\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">Katie\u2019s trauma started at age 5, when she remembers seeing a shadowy figure at the foot of her bed during the night. There was a fire in her childhood home, too, which her family luckily survived but for which a clear cause was never found. Since then, the supernatural occurrences have happened infrequently at various points in Katie\u2019s life. She has never revealed this to Micah until now, preferring to remain in silence about her traumatic past. <\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">Micah, it\u2019s immediately apparent, embodies toxic masculinity. His initial instinct isn\u2019t to offer sympathy or support to his partner but to demand evidence, by way of camera footage. In the first half of the film, he deals in constant mockery, almost gleefully so. He calls Katie over one morning, pretending to have discovered evidential audio from the night before, only to play stereotypically scary music on his computer instead. Despite her vehement protestations, he borrows a Ouija board to try to antagonize the supernatural entity. Katie\u2019s trauma is merely a game to him, a Trumpian exercise in cruelty.<\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">Most of the film is shot by Micah with a handheld camera, so everything we see is filtered through his male gaze. Fittingly, Micah wields his camera in sexually explicit ways: he goads Katie to kiss the lens; he won\u2019t stop pointing it at her as she tries to use the bathroom. He even odiously pretends the camera is switched off when they\u2019re about to have sex one night. Micah\u2019s behavior is consistently shallow, deceitful, and entirely unsurprising. Serious conversations are deflected with flattery as he comments on Katie\u2019s physical beauty. <\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">A psychic tells them that what haunts their house is not a ghost but a demon \u2014 the difference being that a demon attaches itself to a person, not a place, and waits for a chance to strike. Victims of sexual assault may survive their ordeal physically but not emotionally, their demons always with them. Yet in dealing with this resurfacing of her pain, and faced with an erratic and unhelpful partner, Katie somehow remains relatively calm. Perhaps, we can conclude, she has lived with her trauma for too long and knows to try not to disturb it. <\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">Micah remarkably victimizes Katie for her suffering, blaming her for bringing this into their house, his assertion echoing all those withering accusations from men about sexual assault victims \u201casking for it.\u201d A particularly poignant moment arrives as the couple are searching desperately online for information about what they\u2019re going through. They encounter a website with an eerily familiar case: a girl from the 1960s who suffered similar supernatural occurrences. Katie is one in a long line of women who are wrestling with the demons of their past when they realize they\u2019re not alone in their suffering. <\/span><\/p>\n<p class=\"p1\"><span class=\"s2\">The film ends with Katie being possessed by the demon. Her trauma has subsumed her, certainly, but it does lead to the destruction of her toxic patriarchal relationship when she kills Micah; it\u2019s comforting, particularly today, to see this as a female using her traumatic past to survive her present. Micah\u2019s refusal to remove himself from stereotypical gender norms ultimately proves his downfall, and <i>Paranormal Activity<\/i> stands as a rebuttal against such suffocating patriarchal ties. It\u2019s tempting to link this film to another recent feminist horror piece, <i>The Witch <\/i>(2016): Set in the Puritan 1630s, a young girl transcends her family\u2019s obstacles and joins a coven of witches, the film ending with them ecstatically dancing naked around a bonfire. Whether it\u2019s the 17th century or the 21st, there\u2019s a clear lineage of females suffering in silence before finally overcoming their demons. One hopes there will come a day when it doesn\u2019t take magic to rise above it.<\/span><\/p>\n<hr \/>\n<div><em>Join our <a href=\"http:\/\/crookedmarquee.us16.list-manage.com\/subscribe?u=dc6679cd997ec610eeaf50562&amp;id=db71dbf4c3\" target=\"_blank\" rel=\"noopener\">mailing list<\/a>! Follow us on <a href=\"https:\/\/twitter.com\/CrookedMarquee\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>! <a href=\"https:\/\/crookedmarquee.com\/stage8\/writers-guidelines\/\">Write<\/a>\u00a0for us!<\/em><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The story in Oren Peli\u2019s Paranormal Activity (2007) concerns a young San Diego couple, Micah and Katie, who set up [&hellip;]<\/p>\n","protected":false},"author":527,"featured_media":10396,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1381,337,1399],"tags":[],"class_list":["post-10395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-culture","category-looking-back"],"_links":{"self":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/10395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/users\/527"}],"replies":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/comments?post=10395"}],"version-history":[{"count":0,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/10395\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media\/10396"}],"wp:attachment":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media?parent=10395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/categories?post=10395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/tags?post=10395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}