{"id":11302,"date":"2019-02-07T05:00:02","date_gmt":"2019-02-07T10:00:02","guid":{"rendered":"https:\/\/crookedmarquee.com\/stage8\/?p=11302"},"modified":"2019-02-07T12:53:46","modified_gmt":"2019-02-07T17:53:46","slug":"the-best-of-percy-rodrigues-voice-of-a-thousand-trailers","status":"publish","type":"post","link":"https:\/\/crookedmarquee.com\/stage8\/the-best-of-percy-rodrigues-voice-of-a-thousand-trailers\/","title":{"rendered":"The Best of Percy Rodrigues, Voice of a Thousand Trailers"},"content":{"rendered":"<p class=\"p3\"><span class=\"s1\">On the whole, movie trailers haven\u2019t had narrators for over a decade. They\u2019ve been replaced by overbearing musical scores, ominous cover versions of pop songs, or some combination of the two, along with snippets of dialogue from the movie\u2019s characters. Just a few decades ago, however, the \u201ctrailer voice\u201d was at its peak, and one of the masters of the form was Percy Rodrigues. He began acting in the 1930s, doing plays in his native Canada before moving to New York City at the age of 42, where he landed roles in several prestigious Broadway productions and joined The Actors Studio. He would go on to have over 100 credits in film and television, including authoritative roles on <a href=\"https:\/\/www.youtube.com\/watch?v=uM2u1L-F7D8\" target=\"_blank\" rel=\"noopener\"><span class=\"s2\"><i>Star Trek<\/i><\/span><\/a>\u00a0(pictured above) and <a href=\"https:\/\/www.youtube.com\/watch?v=V7hXGlpoTsA\" target=\"_blank\" rel=\"noopener\"><span class=\"s2\"><i>Peyton Place<\/i><\/span><\/a> at a time when black men on TV were usually servants. But he\u2019s best known as the voice from the trailers for numerous classic genre films. Here are a few selections of his prolific work.<\/span><\/p>\n<h3 class=\"p3\"><strong><span class=\"s1\"><i>The Exorcist<\/i> (1973)<\/span><\/strong><\/h3>\n<p><iframe loading=\"lazy\" title=\"THE EXORCIST - Trailer - (1973) - HQ\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/YDGw1MTEe9k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p class=\"p3\"><span class=\"s1\">\u201cSomewhere between science and superstition\u2026there is another world. The world\u2026of darkness.\u201d With those words, Percy Rodrigues made a huge, splashy entrance onto the trailer voiceover scene. His booming, ominous voice marries perfectly with images from William Friedkin\u2019s seminal horror film, and the authority of it dovetails with the movie\u2019s grounded, verisimilitude approach. Rodrigues\u2019 tenor gets across the notion that the film is a frightening experience, and also sells the trailer\u2019s last-minute note of hope. <\/span><\/p>\n<h3 class=\"p3\"><strong><span class=\"s1\"><i>Jaws<\/i> (1975)<\/span><\/strong><\/h3>\n<p><iframe loading=\"lazy\" title=\"Jaws Official Trailer #1 - Richard Dreyfuss, Steven Spielberg Movie (1975) HD\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/U1fu_sA7XhE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p class=\"p3\"><span class=\"s1\">While his voiceover for <i>The Exorcist<\/i> put him on the map, it\u2019s Rodrigues\u2019 narration for this film that made his vocal tone iconic, forever associating it with the horror genre. His voiceover begins with authority, creeping the audience out with allusions to real facts about sharks, before exploding into a full-blown horrific proclamation: \u201cIt is as if God created the Devil\u2026and gave him\u2026jaws.\u201d That that line sounds awe-inspiring instead of laughable is a testament to Rodrigues\u2019 delivery. There\u2019s no doubt that some of the cultural psychological impact of Spielberg\u2019s film is due to Rodrigues\u2019 work here. <\/span><\/p>\n<h3 class=\"p3\"><strong><span class=\"s1\"><i>Shivers<\/i> aka <i>They Came From Within<\/i> (1975)<\/span><\/strong><\/h3>\n<p><iframe loading=\"lazy\" title=\"They Came From Within (1975) trailer\" width=\"760\" height=\"570\" src=\"https:\/\/www.youtube.com\/embed\/XC-wkbUL814?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p class=\"p3\"><span class=\"s1\">David Cronenberg\u2019s debut feature is a body horror hodgepodge of sexual deviancy and psycho-freakout sociological theories, a movie that\u2019s as heady as it is exploitative. Being a rather hard sell, as it appeals to both intellectual and deviant audiences, the U.S. distributing studio Trans-American Films put together a standard, B-movie schlock campaign containing a half-dozen cheesy taglines. Fortunately, they got Rodrigues to narrate their trailer, allowing him to bring a measure of intelligence to the ad, which intrigued audiences rather than simply shocking or repulsing them.<\/span><\/p>\n<h3 class=\"p3\"><strong><span class=\"s1\"><i>Taxi Driver<\/i> (1976)<\/span><\/strong><\/h3>\n<p><iframe loading=\"lazy\" title=\"Taxi Driver - Trailer - (1976) - HQ\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/sLpMx8_TYOo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p class=\"p3\"><span class=\"s1\">Rodrigues brings his trademark authority to the narration here, listing star Robert De Niro\u2019s achievements to date like he was introducing him prior to a command performance. Along the way, he evokes the strong undercurrent of horror present within Scorsese\u2019s movie, implying the awful, inevitable end of Travis Bickle\u2019s struggle with loneliness. <\/span><\/p>\n<h3 class=\"p3\"><strong><span class=\"s1\"><i>The Omen<\/i> (1976)<\/span><\/strong><\/h3>\n<p><iframe loading=\"lazy\" title=\"The Omen (1976) - Trailer\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/V7CEbd7ffNw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p class=\"p3\"><span class=\"s1\"><i>The Omen<\/i> had a fascinatingly odd ad campaign, one that refused to clarify what the movie was about, save that it was ominous and terrifying. Rodrigues calls it \u201ca film of psychological suspense\u201d in the trailer here (oh, how modern day Horror Twitter would balk at that label!), an ad where the concept of Damien possibly being the Antichrist is merely hinted at. Perhaps that\u2019s a result of director Richard Donner\u2019s grounded, ambiguous approach to the movie, but whatever the case, Rodrigues\u2019 narration is positively apocalyptic, making it an ad for a horror movie in all but name.<\/span><\/p>\n<h3 class=\"p3\"><strong><span class=\"s1\"><i>The Dark<\/i> (1979)<\/span><\/strong><\/h3>\n<p><iframe loading=\"lazy\" title=\"The Dark (1979) ORIGINAL TRAILER [HD 1080p]\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/RbhZU_IF4wI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p class=\"p3\"><span class=\"s1\">Rodrigues wasn\u2019t just a pitchman for prestigious classics and early works of master filmmakers \u2014 he also shilled for schlocky B-horror fare, films that in their time haunted drive-ins and grindhouses. This movie, from which Tobe Hooper was fired as director and replaced by John Cardos, began as a street-level thriller about a night stalker and ended up as a half-assed cash-in on the burgeoning sci-fi horror trend. That is to say, it\u2019s not good, but Rodrigues, through this trailer, makes it look and sound absolutely awesome. Ironically, the final tagline he speaks \u2014 \u201cNot all alien encounters will be friendly\u201d \u2014 is a clear wink to Spielberg\u2019s <i>Close Encounters of<\/i> <i>the Third Kind<\/i> (1977), which Rodrigues would help advertise when that film\u2019s Special Edition was released one year after <i>The Dark<\/i>. <\/span><\/p>\n<h3 class=\"p3\"><strong><span class=\"s1\"><i>Heavy Metal<\/i> (1981)<\/span><\/strong><\/h3>\n<p>https:\/\/www.youtube.com\/watch?v=WVrYoRjkp4g<\/p>\n<p class=\"p3\"><span class=\"s1\">The influential science fiction\/fantasy magazine Heavy Metal finally got a feature film adaptation in the early \u201880s, taking several popular comic strips that had appeared in the publication and putting them on screen. To attempt to tie these disparate short stories together in an anthology format, a wraparound segment was made featuring the film\u2019s narrator \u2014 a glowing green orb of ultimate evil. Who but Percy Rodrigues could voice such a character, with his booming voice making its threats seem credible?<\/span><\/p>\n<h3 class=\"p3\"><strong><span class=\"s1\"><i>Missing In Action<\/i> (1984)<\/span><\/strong><\/h3>\n<p><iframe loading=\"lazy\" title=\"Missing in Action (1984) - Official Trailer | HQ | Chuck Norris\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/CgmADv4tkLQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p class=\"p3\"><span class=\"s1\">Rodrigues didn\u2019t do voiceovers exclusively for horror and sci-fi productions, as this trailer shows. When applied to Joseph Zito\u2019s bombastic slice of \u201980s meathead action, Rodrigues\u2019 voice makes the film sound both classy and incredibly badass, two qualifiers that aren\u2019t usually said about star Chuck Norris these days. <\/span><\/p>\n<h3 class=\"p3\"><strong><span class=\"s1\"><i>Night of the Creeps<\/i> (1986)<\/span><\/strong><\/h3>\n<p><iframe loading=\"lazy\" title=\"Night of the Creeps (1986) - Trailer\" width=\"760\" height=\"570\" src=\"https:\/\/www.youtube.com\/embed\/XW8F1boWgv0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p class=\"p3\"><span class=\"s1\">Rodrigues\u2019 narration is at its clipped, expertly enunciated best here, with each word popping off the screen. He delivers the throwback B-movie tone of director Fred Dekker\u2019s film effortlessly, and manages to make an eye roller of a tagline sound eerily\u2026well, creepy.<\/span><\/p>\n<h3 class=\"p3\"><strong><span class=\"s1\"><i>Planes, Trains and Automobiles<\/i> (1987)<\/span><\/strong><\/h3>\n<p><iframe loading=\"lazy\" title=\"Planes, Trains and Automobiles - Trailer\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/VWGqGHMO294?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p class=\"p3\"><span class=\"s1\">With his voice over for this trailer, Percy Rodrigues began an association with director John Hughes, later providing narration for the trailers for <i>She\u2019s Having A Baby<\/i> (1988), <i>The Great<\/i> <i>Outdoors<\/i> (1988), <i>Christmas Vacation<\/i> (1989), and <i>Curly Sue<\/i> (1991). It\u2019s no surprise, given Rodrigues\u2019 skill at adapting his voice for lighter fare while retaining an ominous edge \u2014 perfect for Hughes\u2019 comedies of increasingly stressful and tense circumstances. <\/span><\/p>\n<h3 class=\"p3\"><strong><span class=\"s1\"><i>Phantasm II<\/i> (1988)<\/span><\/strong><\/h3>\n<p><iframe loading=\"lazy\" title=\"Phantasm II (1988) Official Trailer\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/d3EA05pcefg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p class=\"p3\"><span class=\"s1\">When Universal Studios president Tom Pollack, a horror fan, greenlighted a ton of horror films for the studio in the late \u201880s, his successors had little idea how to market them when they were eventually released. A sequel to Don Coscarelli\u2019s surrealistic, uniquely weirdo meditation on death, <i>Phantasm<\/i> (1979), made ten years after the original, was always going to be a tough sell. Fortunately, the studio got Percy Rodrigues to give it his best try, lending the tagline \u201cThe ball is back\u201d such gravitas that it made the movie sound like a major event. Unfortunately, it didn\u2019t work. It\u2019s still super cool for us fans, though. <\/span><\/p>\n<h3 class=\"p3\"><strong><span class=\"s1\"><i>Friday The 13th Part VIII: Jason Takes Manhattan<\/i> (1989)<\/span><\/strong><\/h3>\n<p><iframe loading=\"lazy\" title=\"Friday The 13th, Part VIII: Jason Takes Manhattan (1989) Theatrical Trailer\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/w5fc43O3ynE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p class=\"p3\"><span class=\"s1\">For the last few entries of the slasher series\u2019 tenure at Paramount Pictures, Rodrigues became the official voice of <i>Friday The 13th<\/i>. While his narration was all over the trailer for the prior installment, 1988\u2019s <i>The New Blood<\/i>, this trailer is the superior one in every respect, from its fake-out structure to Rodrigues delivering the final tagline with enough gleeful relish that it\u2019s a shame he didn\u2019t pursue becoming a late night horror movie host.<\/span><\/p>\n<h3 class=\"p3\"><strong><span class=\"s1\"><i>Alien 3<\/i> (1992)<\/span><\/strong><\/h3>\n<p><iframe loading=\"lazy\" title=\"Alien 3 - Official\u00ae Trailer [HD]\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/Ipv1y-Phi7A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p class=\"p3\"><span class=\"s1\">What 20th Century Fox and a lot of <i>Alien<\/i> fans expected from this sequel was James Cameron\u2019s <i>Aliens<\/i> (1986), part two. What they got was David Fincher\u2019s bleak, somber, pessimistic chamber piece, a far better and more interesting film than a reheating of Cameron\u2019s would\u2019ve been. <i>Alien<\/i> <i>3<\/i>\u2019s marketing campaign tried to cater to expectations even though they would not be met, making the cutesy promise that the \u201cbitch\u201d would be back. Despite that, Rodrigues nails the bleak tone of the movie quite well, beginning his narration with a delivery so evocative (\u201cHere, in a world where the sun burns cold\u2026\u201d) that it\u2019s almost a shame he didn\u2019t narrate the actual film. <\/span><\/p>\n<h3 class=\"p3\"><strong><span class=\"s1\"><i>The Beautician and The Beast <\/i>(1997) and <i>How The Grinch Stole Christmas<\/i> (2000)<\/span><\/strong><\/h3>\n<p><iframe loading=\"lazy\" title=\"The Beautician And The Beast - Trailer\" width=\"760\" height=\"570\" src=\"https:\/\/www.youtube.com\/embed\/mI6p6BHQHL4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Dr. Seuss&#039; How The Grinch Stole Christmas | Trailer | Now on Blu-ray, DVD &amp; Digital\" width=\"760\" height=\"570\" src=\"https:\/\/www.youtube.com\/embed\/YQV5Pr7pWtM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<p class=\"p3\"><span class=\"s1\">Rodrigues could turn his voice to evoke storybook whimsy, rather than ominous dread. Even so, his vocal quality allowed for a hint of subversion in each of these trailers, giving them the weirdo edge the filmmakers obviously wanted to imply. It wasn\u2019t long after the <i>Grinch<\/i> trailer that Rodrigues\u2019 output began to slow down, concurrent with the phasing out of movie trailer voice overs, and he passed away in September of 2007. It remains to be seen whether or not the technique will make a comeback, but regardless, the actor leaves behind a pioneering legacy that will continue to resonate, and his work stands as some of the finest examples of the \u201cmovie trailer voice\u201d ever performed.<\/span><\/p>\n<hr \/>\n<h6><em>Join our <a href=\"http:\/\/crookedmarquee.us16.list-manage.com\/subscribe?u=dc6679cd997ec610eeaf50562&amp;id=db71dbf4c3\" target=\"_blank\" rel=\"noopener\">mailing list<\/a>! Follow us on <a href=\"https:\/\/twitter.com\/CrookedMarquee\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>! <a href=\"https:\/\/crookedmarquee.com\/stage8\/writers-guidelines\/\">Write<\/a>\u00a0for us!<\/em><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>On the whole, movie trailers haven\u2019t had narrators for over a decade. They\u2019ve been replaced by overbearing musical scores, ominous [&hellip;]<\/p>\n","protected":false},"author":459,"featured_media":11306,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1381,1399],"tags":[],"class_list":["post-11302","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-looking-back"],"_links":{"self":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/11302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/users\/459"}],"replies":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/comments?post=11302"}],"version-history":[{"count":0,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/11302\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media\/11306"}],"wp:attachment":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media?parent=11302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/categories?post=11302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/tags?post=11302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}