{"id":11336,"date":"2019-02-14T14:24:55","date_gmt":"2019-02-14T22:24:55","guid":{"rendered":"https:\/\/crookedmarquee.com\/stage8\/?p=11336"},"modified":"2019-02-14T14:24:55","modified_gmt":"2019-02-14T22:24:55","slug":"review-happy-death-day-2u","status":"publish","type":"post","link":"https:\/\/crookedmarquee.com\/stage8\/review-happy-death-day-2u\/","title":{"rendered":"REVIEW: Horror Comedy <i>Happy Death Day 2U<\/i>"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Making a horror comedy that successfully riffs on the <\/span><i><span style=\"font-weight: 400;\">Groundhog Day<\/span><\/i><span style=\"font-weight: 400;\"> formula while simultaneously being thrilling <\/span><i><span style=\"font-weight: 400;\">and <\/span><\/i><span style=\"font-weight: 400;\">hilarious is no easy task, and yet director Christopher Landon did just that with 2017\u2019s <\/span><i><span style=\"font-weight: 400;\">Happy Death Day<\/span><\/i><span style=\"font-weight: 400;\">. That he could deliver an equally (or near-equally) satisfying follow-up to that pleasant surprise seemed fairly improbable \u2013\u00a0especially when sequels, and horror sequels in particular, rarely measure up to their predecessors. But <\/span><i><span style=\"font-weight: 400;\">Happy Death Day 2U<\/span><\/i><span style=\"font-weight: 400;\"> is another pleasant surprise from Landon, who managed to not only make a sequel worthy of its predecessor, but wholly subvert the expectations of his audience in the process.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the first film, Tree (Jessica Rothe) is forced to relive the same day \u2013\u00a0her birthday \u2013\u00a0over and over again, each time ending in her death at the hands of a killer sporting a goofy baby mask (it\u2019s her college mascot, for some reason), until she can solve her own murder\u2026 and hopefully avoid any collateral victims. Picking up <\/span><i><span style=\"font-weight: 400;\">exactly<\/span><\/i><span style=\"font-weight: 400;\"> where the previous film left off, <\/span><i><span style=\"font-weight: 400;\">Happy Death Day 2U <\/span><\/i><span style=\"font-weight: 400;\">opens as Tree and new beau Carter (Israel Broussard) are interrupted by his roommate Ryan (Phi Vu), who has just come to the realization that he\u2019s also reliving the same day over and over again, each ending when he\u2019s murdered by a killer wearing a goofy baby mask. Having been killed a dozen times herself, Tree is now an expert in this horrible <\/span><i><span style=\"font-weight: 400;\">Groundhog Day <\/span><\/i><span style=\"font-weight: 400;\">scenario. She springs into action to help Ryan solve his own murder, and it\u2019s not long before they discover the real culprit behind all these wacky time loops. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">There are some plot specifics best left unspoiled, but <\/span><i><span style=\"font-weight: 400;\">Happy Death Day 2U <\/span><\/i><span style=\"font-weight: 400;\">significantly ups the ante of the first film by expanding the sci-fi concept. Unlike its predecessor, which was more of a direct slasher comedy, the sequel is a wacky sci-fi-comedy-romance-horror-drama in which the slasher mystery becomes a subplot. It\u2019s a narrative inconvenience for our protagonists rather than the central plot device, though there are still plenty of devices \u2013 including a rather pivotal one that, with a post-credits assist, helps set up a third installment in the series. Based on how bonkers this one is, a third film would have be cuckoo-banana-pants-insane to top it, but <\/span><span style=\"font-weight: 400;\">Landon proves he\u2019s more than up to the task of upping the ante in terms of tone and stakes. The sequel is a genre-bending blast, with Jessica Rothe once again proving her skill as both a comedic and dramatic actress. When Tree is suddenly thrust back into her previous time loop (something teased in the trailers), she\u2019s understandably enraged, and Rothe\u2019s furious stomping all over campus is particularly delightful. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Also enjoyable is the chemistry between Rothe and Broussard, particularly as the film skews into more dramatic territory and the stakes are inevitably raised. Tree is forced to make an incredibly difficult and potentially heartbreaking choice, one that yields some surprisingly tender and poignant moments amid the hilarious chaos. Like the film itself, Rothe deftly navigates these seemingly disparate genres; she keeps <\/span><i><span style=\"font-weight: 400;\">Happy Death Day 2U<\/span><\/i><span style=\"font-weight: 400;\"> and all its crazy moving parts firmly anchored.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">There are some flaws, of course: The constant tonal shifts eventually have an effect on the film\u2019s pacing, and it begins to drag a bit somewhere in the transition between the second and third acts. Though much of the film is propelled by a sense of urgency, the burden of carrying the weight of so many characters and ideas begins to show. A subplot involving the college dean (Steve Zissis) and Tree\u2019s awful sorority president (Rachel Matthews) feels borderline unnecessary, though it is nice to see the latter with a slightly bigger role. The sequel also gives us a couple of new characters in the form of Ryan\u2019s classmates, played by Suraj Sharma (<\/span><i><span style=\"font-weight: 400;\">The Life of Pi<\/span><\/i><span style=\"font-weight: 400;\">) and Sarah Yarkin (<\/span><i><span style=\"font-weight: 400;\">American Horror Story<\/span><\/i><span style=\"font-weight: 400;\">), both of whom fold into this wild narrative rather seamlessly. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Comparing <\/span><i><span style=\"font-weight: 400;\">Happy Death Day 2U <\/span><\/i><span style=\"font-weight: 400;\">to the first <\/span><i><span style=\"font-weight: 400;\">Happy Death Day<\/span><\/i><span style=\"font-weight: 400;\"> feels almost unfair (and kind of reductive, to be honest) given how different the sequel is from its predecessor. As a horror comedy sequel, it\u2019s not quite as great as the first film, but as a sequel that\u2019s more comedy than horror, and actually way more of a sci-fi flick than a slasher, it\u2019s not only awesome, but it\u2019s pretty amazing that it even exists.<\/span><\/p>\n<h3><strong>Grade: <span style=\"color: #ff0000;\">A-<\/span><\/strong><\/h3>\n<h5><em>1 hr., 40 min.; rated PG-13 for violence, language, sexual material and thematic elements<\/em><\/h5>\n<hr \/>\n<h6><em>Join our <a href=\"http:\/\/crookedmarquee.us16.list-manage.com\/subscribe?u=dc6679cd997ec610eeaf50562&amp;id=db71dbf4c3\" target=\"_blank\" rel=\"noopener\">mailing list<\/a>! Follow us on <a href=\"https:\/\/twitter.com\/CrookedMarquee\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>! <a href=\"https:\/\/crookedmarquee.com\/stage8\/writers-guidelines\/\">Write<\/a>\u00a0for us!<\/em><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Making a horror comedy that successfully riffs on the Groundhog Day formula while simultaneously being thrilling and hilarious is no [&hellip;]<\/p>\n","protected":false},"author":553,"featured_media":11337,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1381,340],"tags":[],"class_list":["post-11336","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-movie-reviews"],"_links":{"self":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/11336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/users\/553"}],"replies":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/comments?post=11336"}],"version-history":[{"count":0,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/11336\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media\/11337"}],"wp:attachment":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media?parent=11336"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/categories?post=11336"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/tags?post=11336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}