{"id":12135,"date":"2019-07-15T14:00:05","date_gmt":"2019-07-15T21:00:05","guid":{"rendered":"https:\/\/crookedmarquee.com\/stage8\/?p=12135"},"modified":"2019-07-15T14:33:36","modified_gmt":"2019-07-15T21:33:36","slug":"review-the-farewell","status":"publish","type":"post","link":"https:\/\/crookedmarquee.com\/stage8\/review-the-farewell\/","title":{"rendered":"REVIEW: Chinese Family Dramedy <i>The Farewell<\/i>"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">After suffering through last year\u2019s wildly self-indulgent, overly serious <\/span><i><span style=\"font-weight: 400;\">Disobedience<\/span><\/i><span style=\"font-weight: 400;\">, I was ready to write off any and all \u201cartistic but struggling 30-something adult comes home for the first time in years for a very important funeral and\/or family tragedy and has important awakening\u201d films for good. There\u2019s really no end to the list of indies that seek to mine pathos from this played-out plotline, from <\/span><i><span style=\"font-weight: 400;\">The Skeleton Twins<\/span><\/i><span style=\"font-weight: 400;\"> to <\/span><i><span style=\"font-weight: 400;\">Elizabethtown<\/span><\/i><span style=\"font-weight: 400;\">\u00a0 (although I suspect <\/span><i><span style=\"font-weight: 400;\">Garden State<\/span><\/i><span style=\"font-weight: 400;\"> has taken up poster-child status). So while I\u2019ve been anticipating writer-director Lulu Wang\u2019s family dramedy, <\/span><strong><i>The Farewell<\/i><\/strong><span style=\"font-weight: 400;\">, since it began generating buzz at <a href=\"https:\/\/crookedmarquee.com\/stage8\/eric-d-sniders-2019-sundance-diary\/\">Sundance<\/a> and got picked up by A24, I also felt a bit cautious.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As it turned out, I needn\u2019t have worried: <\/span><i><span style=\"font-weight: 400;\">The Farewell<\/span><\/i><span style=\"font-weight: 400;\"> is in extremely capable hands. Wang \u2014 coming off her debut feature, 2014\u2019s <\/span><i><span style=\"font-weight: 400;\">Posthumous<\/span><\/i><span style=\"font-weight: 400;\"> \u2014\u00a0has penned a deeply personal story that flips the script, and feels as vital and honest rather than contrived or emotionally manipulative. Based on a true story Wang told in 2016 on NPR\u2019s <\/span><i><span style=\"font-weight: 400;\">This American Life<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">The Farewell<\/span><\/i><span style=\"font-weight: 400;\"> centers around an early 30-something writer named Billi (Nora Lum, aka rapper\/actress Awkwafina, in one of her first serious roles), who was born in China but raised primarily in New York. Despite her physical distance from much of her extended family, Billi maintains a close relationship with her paternal grandmother, Nai Nai (Zhao Shuzhen), who she regularly talks with on the phone, and when she finds out Nai Nai is dying of lung cancer, she can\u2019t fathom not traveling to Changchung (where Wang\u2019s family is also from) for one last visit.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Billi <\/span><i><span style=\"font-weight: 400;\">also<\/span><\/i><span style=\"font-weight: 400;\"> can\u2019t fathom that her family has chosen to lie to Nai Nai: She has no idea her cancer is terminal, and they cook up an elaborate fake wedding to explain their arrival. Navigating the world when you\u2019re being pushed and pulled between two different cultures is a unique experience that\u2019s not often depicted in mainstream cinema, and Wang and her excellent cast do a fantastic job highlighting the internal and external struggles that can result from this tension. Watching the entire extended family sit at the dinner table together for the first time in 25 years would be deeply moving even if Nai Nai wasn\u2019t dying, so it\u2019s not surprising that this gathering invokes mixed emotions (joy over being together, sorrow over all the years they\u2019ve spent apart and all the moments they\u2019ve missed from each others\u2019 lives). Certainly, keeping up the charade \u2014 or \u201cgood lie,\u201d as the doctor calls it \u2014 for Nai Nai\u2019s benefit is going to be difficult for all parties involved.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Wang has assembled a truly top-notch cast to stand in for her family: In fact, Zhao Shuzhen, Lu Hong (Wang\u2019s actual great aunt, playing herself), Diana Lin (Billi\u2019s mother) and Tzi Mai (Billi\u2019s father) are so strong that they threaten to outshine Awkwafina, who is generally good here \u2014 especially in scenes with Nai Nai \u2014 but not <\/span><i><span style=\"font-weight: 400;\">entirely<\/span><\/i><span style=\"font-weight: 400;\"> convincing, especially when she\u2019s called upon to deliver a more emotional monologue near the end of the film. Still, <\/span><i><span style=\"font-weight: 400;\">The Farewell<\/span><\/i><span style=\"font-weight: 400;\"> is propelled by the sharp (and often slyly funny) writing, highly fleshed-out characters, mournful score, and crisp cinematography by Anna Franquesa Solano. And in a summer movie landscape filled with big-budget sequels and prequels that are written by a team of writers and then rewritten many times over to satisfy studio notes, it\u2019s impressive to see a vision so personal \u2014 and a narrative without a love interest or a big dramatic ending \u2014 make so much space for itself without a love interest, a big twist, or too much heavy-handed symbolism. <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12029\" src=\"https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2019\/06\/crookedc-01.svg\" alt=\"\" width=\"21\" height=\"24\" \/><\/span><\/p>\n<h3>Grade: <span style=\"color: #ff0000;\">B+<\/span><\/h3>\n<h5><em>1 hr., 40 min.; rated PG for thematic material, brief language and some smoking<\/em><\/h5>\n<hr \/>\n<h6><em>Join our <a href=\"http:\/\/crookedmarquee.us16.list-manage.com\/subscribe?u=dc6679cd997ec610eeaf50562&amp;id=db71dbf4c3\" target=\"_blank\" rel=\"noopener\">mailing list<\/a>! Follow us on <a href=\"https:\/\/twitter.com\/CrookedMarquee\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>! <a href=\"https:\/\/crookedmarquee.com\/stage8\/writers-guidelines\/\">Write<\/a>\u00a0for us!<\/em><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>After suffering through last year\u2019s wildly self-indulgent, overly serious Disobedience, I was ready to write off any and all \u201cartistic [&hellip;]<\/p>\n","protected":false},"author":568,"featured_media":12136,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1381,340],"tags":[],"class_list":["post-12135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-movie-reviews"],"_links":{"self":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/12135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/users\/568"}],"replies":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/comments?post=12135"}],"version-history":[{"count":0,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/12135\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media\/12136"}],"wp:attachment":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media?parent=12135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/categories?post=12135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/tags?post=12135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}