{"id":12495,"date":"2019-08-16T20:00:13","date_gmt":"2019-08-17T03:00:13","guid":{"rendered":"https:\/\/crookedmarquee.com\/stage8\/?p=12495"},"modified":"2019-08-19T13:39:32","modified_gmt":"2019-08-19T20:39:32","slug":"review-the-angry-birds-movie-2","status":"publish","type":"post","link":"https:\/\/crookedmarquee.com\/stage8\/review-the-angry-birds-movie-2\/","title":{"rendered":"REVIEW: <i>The Angry Birds Movie 2<\/i>"},"content":{"rendered":"<p>I&#8217;ll tell you what, the only thing a critic enjoys more than a good movie is a good movie that&#8217;s a surprise. <em>The Angry Birds Movie<\/em> (2016) was a miserable affair reverse-engineered to explain why the birds in the popular smartphone game were slingshotting one another at pigs &#8212; something nobody needed to know and that wouldn&#8217;t (and didn&#8217;t) make sense anyway. It was crass, useless garbage. Well, knock me down with a feather, but <strong><em>The Angry Birds Movie 2<\/em><\/strong>\u00a0is delightful, finding fun new avenues to explore in the world half-assedly created by the original, with a down-and-dirty, happily undignified approach to comedy. And all it took was getting a new director and new writers!<\/p>\n<p>In the sequel, the bird named Red (Jason Sudeikis), once an outcast because he&#8217;s a jerk, is now a hero because he saved Bird Island last time. That there is a joke about him being beloved only because he proved useful (like Rudolph the Red-Nosed Reindeer) is our first indication that the sequel has a different attitude. Red is still full of himself, even more so now that he&#8217;s a hero who spends his days defending Bird Island in the &#8220;prank war&#8221; against Pig Island. When the leader of the pigs, Leonard (Bill Hader), proposes a truce so that pigs and birds can fight a common enemy &#8212; the inexplicably frozen Eagle Island, run by a madwoman (madeagle) named Zeta (Leslie Jones) &#8212; Red is onboard, but only so he can prove his own heroism some more. This masks his real concern, which is a fear of being left out.<\/p>\n<p>And so a team is dispatched to Eagle Island to stop Zeta and deactivate her weaponized volcano. The team includes Red; his super-fast friend Chuck (Josh Gad); his potentially explosive friend Bomb (Danny McBride); Leonard the pig; Leonard&#8217;s headphone-wearing daughter, Courtney (Awkwafina); Garry the I.T. pig (Sterling K. Brown); and Chuck&#8217;s brainiac sister, Silver (Rachel Bloom), an engineering student who annoys Red. Mighty Eagle (Peter Dinklage), the washed-up predator who lives on Bird Island, is consulted for his insider knowledge of the eagles, but is cagey about his connection to these particular eagles.<\/p>\n<p>The high point of the Eagle Island mission is the effort by Chuck, Bomb, Leonard, Courtney, and Garry to infiltrate the top-secret headquarters by means of an eagle costume that the five of them share. The resulting slapstick (each pig or bird is operating a different part of the Trojan Eagle&#8217;s body) is some of the best animated tomfoolery I&#8217;ve seen in a while, culminating in a hysterical sequence at a row of urinals in a men&#8217;s (eagles&#8217;) room. (Real birds have cloacae, but the birds in these movies have penises.)<\/p>\n<p>This gets at the core of why the sequel works better than the original. Instead of trying to be a traditionally loony &#8216;toon focused on an unlikable protagonist, the sequel leans into Red&#8217;s shallowness and makes him an object of derision and pity, almost like a <em>Seinfeld<\/em>\u00a0character. (The way an unrelated B-story involving three young birds caring for three not-yet-hatched eggs eventually ties in with the main narrative also shows <em>Seinfeld<\/em>-ian elegance.) &#8220;Pathetic&#8221; is a lot more likable than &#8220;arrogant,&#8221; and seeing a depressed Red slumped on his living room floor cramming popcorn into his beak while pouring melted butter down his gullet goes a long way toward, well, humanizing him.<\/p>\n<p>The other characters, too, while not loathsome, are given free rein to be shallow, absurd, and pop-culture-savvy in ways that Pixar characters seldom are. Director Thurop Van Orman (from TV&#8217;s <em>Adventure Time<\/em> and <em>The Marvelous Misadventures of Flapjack<\/em>) and screenwriters Peter Ackerman (<em>Ice Age: Dawn of the Dinosaurs<\/em>), Eyal Podell, and Jonathon E. Stewart (<a href=\"https:\/\/crookedmarquee.com\/stage8\/review-smallfoot\/\"><em>Smallfoot<\/em><\/a>) make liberal use of instantly recognizable pop songs to make comedic points (there&#8217;s a &#8217;90s flashback with eagles dressed in contemporary fashions while Paula Cole&#8217;s <em>Dawson&#8217;s Creek<\/em> song plays), and a few of the setup-punchline combos have the zip of classic <em>Simpsons<\/em>. It seems the best way to make a movie out of a smartphone game is to ignore almost everything about the game and just have fun with the characters. Who knew? <a href=\"https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2019\/06\/crookedc-01.svg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12029\" src=\"https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2019\/06\/crookedc-01.svg\" alt=\"\" width=\"21\" height=\"24\" \/><\/a><\/p>\n<h3>Grade: <span style=\"color: #ff0000;\">B+<\/span><\/h3>\n<h5>1 hr., 36 min.; rated PG for rude humor and action<\/h5>\n<hr \/>\n<h6>Join our <a href=\"http:\/\/crookedmarquee.us16.list-manage.com\/subscribe?u=dc6679cd997ec610eeaf50562&amp;id=db71dbf4c3\" target=\"_blank\" rel=\"noopener\">mailing list<\/a>! Follow us on <a href=\"https:\/\/twitter.com\/CrookedMarquee\" target=\"_blank\" rel=\"noopener\">Twitter<\/a>! <a href=\"https:\/\/crookedmarquee.com\/stage8\/writers-guidelines\/\">Write<\/a>\u00a0for us!<\/h6>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ll tell you what, the only thing a critic enjoys more than a good movie is a good movie that&#8217;s [&hellip;]<\/p>\n","protected":false},"author":92,"featured_media":12496,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1381,340],"tags":[],"class_list":["post-12495","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","category-movie-reviews"],"_links":{"self":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/12495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/users\/92"}],"replies":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/comments?post=12495"}],"version-history":[{"count":0,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/12495\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media\/12496"}],"wp:attachment":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media?parent=12495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/categories?post=12495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/tags?post=12495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}