{"id":13888,"date":"2020-04-21T09:00:00","date_gmt":"2020-04-21T16:00:00","guid":{"rendered":"https:\/\/crookedmarquee.com\/stage8\/?p=13888"},"modified":"2020-04-23T20:16:21","modified_gmt":"2020-04-24T03:16:21","slug":"selah-and-the-spades-review","status":"publish","type":"post","link":"https:\/\/crookedmarquee.com\/stage8\/selah-and-the-spades-review\/","title":{"rendered":"Watch This: <i>Selah and the Spades<\/i>"},"content":{"rendered":"\n<p>It shouldn\u2019t be too surprising at this point that streaming platforms make pretty good career launching pads. Just last week, for example, this column covered the filmmaking debut of Alan Yang, who rose to prominence working on shows for Netflix and Amazon. The distribution system may not be perfect (all those promising new releases can be easily buried under the barrage of studio films and properties by more established names), but the wide net it casts also provides more potential exposure, and the breadth of content means there\u2019s more room to experiment.<\/p>\n\n\n\n<p>The movie <em>Selah and the Spades<\/em>, currently streaming on Amazon Prime, is a good example of a new filmmaker stretching her wings and experimenting with form and genre. Tayarisha Poe\u2019s stylish drama about an elite boarding school\u2019s criminal underworld is like a cross-stitch sampler of ideas from other films (interestingly, mostly indies that also helped launch successful careers). The movie doesn\u2019t always hold together, but the styles Poe\u2019s playing with, and her eagerness to experiment, display plenty of promise &#8212; as does the performance of the film\u2019s star, Lovie Simone.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2020\/04\/selah3.jpg\" alt=\"\" class=\"wp-image-13890\" srcset=\"https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2020\/04\/selah3.jpg 1000w, https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2020\/04\/selah3-300x200.jpg 300w, https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2020\/04\/selah3-768x512.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p><em>Selah and the Spades<\/em> takes place at Haldwell, a fictional boarding school where five gangs (or \u201cfactions,\u201d as they\u2019re called) run various illicit aspects of student life. Simone\u2019s Selah Summers runs the Spades, the most powerful faction, responsible for sourcing and selling all forms of recreational drugs. Selah\u2019s from a wealthy family, and doesn\u2019t need the money. She\u2019s in the game for power, and is having trouble passing that power on to a successor after she graduates. New girl Paloma (Celeste O\u2019Connor) is a promising candidate, but Selah feels threatened by just how naturally her protege takes to her role.<\/p>\n\n\n\n<p>Poe\u2019s movie heavily borrows elements from other stylized movies about high school social hierarchy. The school\u2019s criminal contingent is right out of <em>Brick\u2019s<\/em> playbook. The insular, socially rigid world of Haldwell and its crisp parochial vibe are pure <em>Rushmore<\/em>. The movie\u2019s cliques and girl-on-girl crime recall <em>Heathers<\/em>, and its exploration of black identity in a typically white-dominated setting owes much to Justin Simien\u2019s <em>Dear White People<\/em>. Similarly to Simien\u2019s movie, there are a lot of ideas at play in <em>Selah and the Spades<\/em> that are intriguing individually, but taken together give it a kind of cinematic attention deficit disorder. There\u2019s a semblance of a plot, but without more focus, it can be hard to tell sometimes what the movie\u2019s actually <em>about<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"655\" src=\"https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2020\/04\/selah2.jpg\" alt=\"\" class=\"wp-image-13889\" srcset=\"https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2020\/04\/selah2.jpg 1000w, https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2020\/04\/selah2-300x197.jpg 300w, https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2020\/04\/selah2-768x503.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<p>Fortunately, <em>Selah and the Spades<\/em> has Simone to anchor it. She displays stunning gravitas and poise as Selah, in a breakout performance that feels of similar heft and impressiveness to Florence Pugh\u2019s screen debut in <em>Lady Macbeth<\/em>, even if the film itself isn\u2019t quite up to that level. Simone is chilly, reserved and self-assured, maintaining her composure and confidence while under tremendous pressure, and explosively emotional when the cracks in her facade start to show through. When Poe\u2019s movie starts to lose its way, Simone always brings it right back to center and commands your attention.<\/p>\n\n\n\n<p>Regardless of <em>Selah and the Spades<\/em>\u2019 tendency to drift, its style and ambition are undeniable. The movies Poe borrows from display excellent taste. The hyper-specific details of the setting, and the uniquely dreamy haze she casts over the whole affair, show a promising talent and eye for detail, as do the performances she gets from her cast. Poe\u2019s career will surely be worth watching, as will Simone\u2019s. If nothing else, it\u2019s worth watching <em>Selah and Spades<\/em> now just so you can get on those respective buses early. <img decoding=\"async\" class=\"wp-image-12029\" style=\"width: 21px;\" src=\"https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2019\/06\/crookedc-01.svg\" alt=\"\"\/><\/p>\n\n\n\n<p><em>&#8220;Selah and the Spades&#8221; is now streaming <a href=\"https:\/\/www.amazon.com\/gp\/video\/detail\/B0868VWVH7\/ref=atv_dp_share_cu_r\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"on Amazon Prime (opens in a new tab)\">on Amazon Prime<\/a>. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It shouldn\u2019t be too surprising at this point that streaming platforms make pretty good career launching pads. Just last week, [&hellip;]<\/p>\n","protected":false},"author":577,"featured_media":13891,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[340,1381],"tags":[1098,162,1425],"class_list":["post-13888","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movie-reviews","category-movies","tag-movie-review","tag-movies","tag-watch-this"],"_links":{"self":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/13888","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/users\/577"}],"replies":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/comments?post=13888"}],"version-history":[{"count":0,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/13888\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media\/13891"}],"wp:attachment":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media?parent=13888"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/categories?post=13888"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/tags?post=13888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}