{"id":19887,"date":"2023-03-24T09:00:00","date_gmt":"2023-03-24T16:00:00","guid":{"rendered":"https:\/\/crookedmarquee.com\/stage8\/?p=19887"},"modified":"2023-03-23T18:49:15","modified_gmt":"2023-03-24T01:49:15","slug":"classic-corner-yes-madam","status":"publish","type":"post","link":"https:\/\/crookedmarquee.com\/stage8\/classic-corner-yes-madam\/","title":{"rendered":"Classic Corner: <i>Yes, Madam!<\/i>"},"content":{"rendered":"\n<p>Thirty-eight years before winning the Academy Award for Best Actress, Michelle Yeoh began her career as a leading lady by slamming a heavy book of Michelangelo paintings shut on a trench-coated flasher\u2019s junk in the nutty 1985 Hong Kong thriller <em>Yes, Madam! <\/em>Back then still credited as Michelle Khan, the former Miss Malaysia found her way into martial arts films rather by accident, after her ballet career was cut short by a spinal injury. Yeoh\u2019s first turn on camera was in a commercial for Guy Laroche watches opposite Jackie Chan, and the two would be most memorably reunited nearly a decade later in 1992\u2019s <em>Police Story 3: Supercop<\/em>, a milestone of movie stuntwork so bananas I still have no idea how either of them survived the film\u2019s final helicopter-motorcycle-speeding-train chase sequence.\u00a0<\/p>\n\n\n\n<p>Yeoh\u2019s big screen breakthrough had come seven years before with her third film and first starring role, <em>Yes, Madam!<\/em>, which in classic 1980s Hong Kong film industry fashion was released under several titles, including <em>Police Assassins<\/em> and <em>In the Line of Duty 2<\/em> (even though <em>In the Line of Duty 1<\/em> hadn\u2019t come out yet.) She stars as Senior Inspector Ng, nicknamed Madam by her often piggishly sexist fellow officers. The then 23-year-old-actress is a vision of such fresh-faced, delicate beauty it\u2019s an electrifyingly incongruous jolt to watch her suddenly haul off with a shotgun and go full <em>Dirty Harry<\/em> in the film\u2019s bonkers opening scene.&nbsp;<\/p>\n\n\n\n<p>Seconds after arresting the aforementioned sex offender, our lady inspector happens upon an armed robbery and starts blasting away before the audience can even really register what\u2019s happening. She taunts a perp with a Callahan-esque line about not knowing if there are any bullets left in her gun before blowing his hand off. Director Corey Yuen favors a splattery, blunt force approach to violence that clangs against the film\u2019s labored attempts at wacky comedy. But then, such tonal whiplash was the name of the game in 1980s Hong Kong action movies, which often mashed up brutality, sentimentality and sheer silliness with anything-goes abandon.&nbsp;<\/p>\n\n\n\n<p>The absurdly overcomplicated plot (another genre staple) involves the murder of Ng\u2019s old mentor from her days in Scotland Yard. He\u2019s killed over a sliver of microfilm \u2013 this was the \u201880s, after all \u2013 that could be the undoing of a corrupt real estate baron. The evidence is unwittingly stolen by two dimwitted hotel thieves who don\u2019t notice the guy is dead while they\u2019re robbing his room. They accidentally pass it on to a hyperactive forger (played by industry legend Tsui Hark) while the Brits have sent over an investigator of their own (Cynthia Rothrock) to work the case with Yeoh. Yes, Cynthia Rothrock made her film debut playing a Scotland Yard detective, dubbed in Cantonese.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2023\/03\/yes-madam1-1024x768.png\" alt=\"\" class=\"wp-image-19888\" srcset=\"https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2023\/03\/yes-madam1-1024x768.png 1024w, https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2023\/03\/yes-madam1-768x576.png 768w, https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2023\/03\/yes-madam1.png 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><br \/>The women butt heads at first, largely thanks to Rothrock\u2019s penchant for questioning suspects by mashing lit cigarettes into their faces. But sisterhood soon prevails, especially since every dude on the police force is an incompetent, chauvinist imbecile. (It\u2019s one of the more believable aspects of the far-fetched film.) The two share several enormously crowd-pleasing moments, like slapping each other five before kicking the crap out of a whole room of henchmen who never knew what hit them. The biggest laugh comes when a couple of the baddies are sneering about how women are stupid bitches, and Yeoh reminds these gentlemen that they\u2019re also talking about their mothers.<\/p>\n\n\n\n<p>Had <em>Yes, Madam!<\/em> lived up to its title (at least this particular title) and focused exclusively on Yeoh and Rothrock we\u2019d be talking about a landmark of representation in badassery. But the film hedges its bets by wasting a tiresomely disproportionate amount of screen time on the strained antics of our two nitwit thieves Strepsil (John Shum) and Asprin (Mang Hoi), the latter ironically named because he gives you a headache. Whenever the women are offscreen the silly, shouty boys drag the action to a halt.&nbsp;<\/p>\n\n\n\n<p>So thank goodness that the completely berserk final blowout is dominated by Yeoh and Rothrock making mincemeat of masculine morons, including a guy with a Rambo headband and Borat mustache who meets a particularly prickly end. The sequence reportedly took 30 days to film and I don\u2019t want to guess what the budget line item for candied glass was on this picture, because they break pretty much all of it. Yeoh even hurls herself through a panel head first, announcing at the outset of her career that she\u2019s up for anything. <em>Yes, Madam!<\/em> is a rather ridiculous film, but in it, you can see a superstar being born. Smart, sexy and unpredictable, she\u2019s everything all at once.\u00a0<\/p>\n\n\n\n<p><em>&#8220;Yes, Madam!&#8221; is <a href=\"https:\/\/www.criterionchannel.com\/starring-michelle-yeoh\/season:1\/videos\/yes-madam\" target=\"_blank\" rel=\"noreferrer noopener\">now streaming<\/a> as part of the <a href=\"https:\/\/www.criterionchannel.com\/starring-michelle-yeoh\" target=\"_blank\" rel=\"noreferrer noopener\">&#8220;Michelle Yeoh Kicks Ass&#8221; program<\/a> on the Criterion Channel.<\/em><br \/><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"YES MADAM! Original 1985 Trailer\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/BbG39mFhz9Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Newly minted Oscar winner Michelle Yeoh&#8217;s first starring role was in this wild and wacky action comedy, now streaming on the Criterion Channel.<\/p>\n","protected":false},"author":633,"featured_media":19890,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1399,1430],"tags":[1431,1422],"class_list":["post-19887","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-looking-back","category-classic-corner","tag-classic-corner","tag-looking-back"],"_links":{"self":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/19887","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/users\/633"}],"replies":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/comments?post=19887"}],"version-history":[{"count":0,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/19887\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media\/19890"}],"wp:attachment":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media?parent=19887"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/categories?post=19887"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/tags?post=19887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}