Gavin Brivik\u2019s pulsing synth score made my heart race, but How to Blow Up a Pipeline<\/em> isn\u2019t just infused with a sense of urgency; it\u2019s inherent to its entire premise. Though many films try to imbue themselves with a similar sense of gravity, Goldhaber\u2019s movie earns it. Time is running short, not only for the characters here in their mission, but also for all of us watching offscreen and living on this planet in peril. Almost every scene in the film\u2019s \u201cpresent,\u201d where a group of eight young men and women attempt to disrupt the transport of fuel and wreak havoc on oil prices to tank the industry, is filled with stress and a sense of immediacy. Only flashbacks for each character provide both the rare respite from the tension and backstories that help explain their motivations. <\/p>\n\n\n\n Each person in How to Blow Up a Pipeline<\/em> has traveled to west Texas with the intent of destroying an oil pipeline, united by common cause but with different reasoning and experience for why they\u2019re willing to risk their lives. Whether it\u2019s the death of a loved one caused by extreme weather or an oil company stealing family land under the guise of \u201ceminent domain,\u201d everyone feels righteous in their extreme response. <\/p>\n\n\n\n Other than their common cause, there\u2019s little overlap in the Venn diagram of these characters. Xochitl (co-writer and producer Ariela Barer) slashes the tires of gas guzzlers in California, while Michael (Forrest Goodluck) picks fights with oil workers in North Dakota. Theo (Sasha Lane) is more committed to the fight than her girlfriend Alisha (Jayme Lawson), but they make the trip together. A second couple, Rowan (Kristine Froseth) and Logan (Lukas Gage), are hard-partying progressive Portland kids, but good ol\u2019 boy-esque family man Dwayne (Jake Weary) is someone you might assume votes red. They\u2019re all drawn together by videographer Shawn (Marcus Scribner), who connects the group and knows that a movie alone can\u2019t change the world. <\/p>\n\n\n\n How to Blow Up a Pipeline<\/em> sometimes looks like a Steven Soderbergh movie with its editing, use of color, and camerawork, but this isn\u2019t Ocean\u2019s Eleven<\/em>. Beyond the more serious tone \u2014 and higher stakes \u2014 this movie doesn\u2019t have a heist executed by characters who are brought together by their unique, well-developed skills. They\u2019re scrappy, determined people in their 20s and 30s who learn what they need to do to commit sabotage because they have to, for both their own sake and for ours. Their inexperience with every bit of the process only heightens the tension. We never really worried about Don Cheadle\u2019s Basher in the Ocean\u2019s<\/em> trilogy, but we\u2019re genuinely concerned for these eight characters, and pray that their desire to do the right thing is enough to keep them safe from the explosives they\u2019re working with.<\/p>\n\n\n\n How to Blow Up a Pipeline<\/em> should be a depressing experience, dominated by the feeling of the world\u2019s end. Yet while Goldhaber\u2019s movie is clear about the track the earth is on and the big actions that have to be taken to fix it, it also provides a feeling of hope. If this disparate, desperate group can come together to save the earth, maybe we all have a chance. <\/p>\n\n\n\n “How to Blow Up a Pipeline” is out tomorrow in theaters.<\/em><\/p>\n\n\n\n![\"\"](\"https:\/\/crookedmarquee.com\/stage8\/wp-content\/uploads\/2023\/04\/pipeline2-1024x576.jpg\")
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At times resembling a film version of The Anarchist Cookbook<\/em>, How to Blow Up a Pipeline<\/em> earns the instructional feel of its title while oozing dramatic tension. It\u2019s a vital call to action, complete with enough details to give those it might inspire the starting elements in taking action themselves \u2014\u00a0or at least how to begin their search on whatever the dark web\u2019s version of Google is. If any other crime were involved, the method could feel irresponsible to those who worry about things like that, but here, it\u2019s the moral approach.\u00a0<\/p>\n\n\n\nA-<\/strong><\/h2>\n\n\n\n