{"id":25672,"date":"2025-02-04T11:00:00","date_gmt":"2025-02-04T19:00:00","guid":{"rendered":"https:\/\/crookedmarquee.com\/stage8\/?p=25672"},"modified":"2025-02-06T16:38:25","modified_gmt":"2025-02-07T00:38:25","slug":"mad-man-david-lynch-commercial-artist","status":"publish","type":"post","link":"https:\/\/crookedmarquee.com\/stage8\/mad-man-david-lynch-commercial-artist\/","title":{"rendered":"Mad Man: David Lynch, Commercial Artist"},"content":{"rendered":"\n<p>In the wake of David Lynch\u2019s passing, any number of endearingly quirky and hilarious stories have been shared about him, including one where he met with actors Jon Hamm and Elizabeth Moss, stars of the<em> <\/em>critically acclaimed AMC advertising biz drama <em>Mad Men<\/em>. Lynch was <a href=\"https:\/\/www.vulture.com\/2025\/01\/david-lynch-10-quirky-stories.html\" target=\"_blank\" rel=\"noopener\">so enamored<\/a> with the show\u2014\u201dThey\u2019re great characters\u2026 great writing, great atmosphere\u201d\u2014that during dinner, he called the actors by their characters\u2019 names.<\/p>\n\n\n\n<p>\u201cI had the opportunity to meet Peggy Olsen and Don Draper,\u201d said Lynch. \u201cThat\u2019s who they are to me. I called Peggy, \u2018Peggy.\u2019\u201d (This story was confirmed by Moss during an appearance on <em>Jimmy Kimmel Live!<\/em>, who told about receiving a follow up email from Lynch: \u201cHe wrote \u2018Dear Peggy\u2019 and finished it with \u2018Give my love to Don\u2019.\u201d)<\/p>\n\n\n\n<p>Lynch\u2019s love of <em>Mad Men<\/em> was not a one-way street\u2014series creator Matthew Weiner has spoken of the filmmaker\u2019s influence on his show and career a number of times. Nor is it hard to understand Lynch\u2019s attraction to the material: beyond the simple quality of the writing or acting, <em>Mad Men\u2019s<\/em> exploration of the often dark subconscious of the American Dream are not dissimilar to that of Lynch\u2019s work (although his stories are far more disturbing and strange).&nbsp;<\/p>\n\n\n\n<p>But even beyond that obvious connection, it is likely Lynch felt a personal connection to the material due to his own history as an ad man.<\/p>\n\n\n\n<p>In terms of Lynch\u2019s vocations, he\u2019s first known, obviously, as a movie director and showrunner. He started out as a visual artist and remained prolific in that field throughout his life. He was also a recognizable actor, a talented musician, a cartoonist, weatherman, author, coffee maker, and restaurateur. His presence across all of these fields only served to build up his stature as a cultural icon so that his passing at the age of 78 garnered more attention than one might expect from an artist whose work could be so challenging (this is the man who made <a href=\"https:\/\/crookedmarquee.com\/stage8\/on-high-in-blue-tomorrows-the-legacy-of-david-lynchs-inland-empire\/\"><em>Inland Empire<\/em><\/a>, remember).&nbsp;<\/p>\n\n\n\n<p>Which is what makes his commercial directing work so interesting. Even though it\u2019s entirely normal, even expected, for big name directors to take on that type of work \u2014Martin Scorsese directed and starred in a <a href=\"https:\/\/youtu.be\/OBcd8S0YYuU\" target=\"_blank\" rel=\"noopener\">Super Bowl spot<\/a> just last year\u2014only on rare occasions do these ads break through and achieve widespread notice (Ridley Scott\u2019s iconic <a href=\"https:\/\/youtu.be\/VtvjbmoDx-I\" target=\"_blank\" rel=\"noopener\">1984 Apple ad<\/a> springs to mind).&nbsp;<\/p>\n\n\n\n<p>None of Lynch\u2019s work in the field received that level of attention, which isn\u2019t to say they\u2019ve gone unnoticed. A cursory Google search for \u2018David Lynch commericals\u2019 brings up any number of articles, playlists, and individual examples. A dive into them will have you wishing for a Blu-ray collection similar to the<em> Short Films of David Lynch <\/em>set.<\/p>\n\n\n\n<p>After watching all of these commercials, it\u2019s easy to break them down into a couple of different categories. There are, first and foremost, the scent ads. This market seemed to be where Lynch was most in demand, with him turning out spots for the likes of Calvin Klien, Gorgio Armani, Yves Saint Laurent, and more. These are hardly distinguishable from most perfume commercials of the day: a mix of uber-cool European arthouse cinema and Cinemax-style softcore erotica that borders on self-parody. Lynch\u2019s come replete with a score by his closest collaborator, Angelo Badalamante, so they have more of an immediately emotional hook than most others.&nbsp;<\/p>\n\n\n\n<p>Lynch did two sets of Calvin Klien ads. The first feature <em>Twin Peaks<\/em> cast member Heather Graham alongside Benicio Del Toro (sadly, the only time Lynch would work with that actor), while the second set has him laying excerpts from three different novelists (F. Scott Fitzgerald, Ernest Hemingway, and D.H. Lawrence) over footage of beautiful people yearning. Interesting, for sure, but of all the perfume ads, it\u2019s the glitzy, noir-soaked <a href=\"https:\/\/youtu.be\/eAYZhnITphU?si=xreVbeEE6vLIXkQy\" target=\"_blank\" rel=\"noopener\">Gio for Armani<\/a> spot that is most intriguing. Here, he gets to play around with his favorite theme of \u2018a woman in trouble\u2019 before moving into a lavish nightclub scene that sees him pay homage to one of his own <a href=\"https:\/\/www.bing.com\/ck\/a?!&amp;&amp;p=79423acc517a875d0a24cc4d547cdbaa4976bea90274ddd5cbb74bf592667cdaJmltdHM9MTczODQ1NDQwMA&amp;ptn=3&amp;ver=2&amp;hsh=4&amp;fclid=35886ce7-ff20-66cf-2d60-79aefeb26799&amp;psq=lynch+fellini&amp;u=a1aHR0cHM6Ly9mYXJvdXRtYWdhemluZS5jby51ay9kYXZpZC1seW5jaC1mZWRlcmljby1mZWxsaW5pLXBhc3RhLw&amp;ntb=1\" target=\"_blank\" rel=\"noopener\">cinematic forebears and heroes<\/a>, Federico Fellini.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gio by Armani Perfume Commercial, 1992, Directed by David Lynch\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/eAYZhnITphU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><br \/>Then there are the couple of spots that, upon first glance, you would never associate with Lynch: one for <a href=\"https:\/\/youtu.be\/N95ScrH-e2U?si=hVOLtsnHm-W9NrJs\" target=\"_blank\" rel=\"noopener\">AlkaSeltzer Plus<\/a>, one for <a href=\"https:\/\/youtu.be\/IGoFXThEvNc?si=QB2--nIq2Ik9L6O5\" target=\"_blank\" rel=\"noopener\">Clear Blue pregnancy strips<\/a>, and one for <a href=\"https:\/\/youtu.be\/r5I8ux7bSWU\" target=\"_blank\" rel=\"noopener\">Barilla Pasta<\/a>. The latter is just goofy, and really only notable for being the sole collaboration between Lynch and French actor G\u00e9rard DePardue, but the other two are more fascinating once you become aware of their authorship. The AlkaSeltzer ad is so mundane on the surface, yet it bears so many visual and aural motifs that are obviously Lynchian: His aural soundscapes are filled with fizzes and pops, so of course he was going to make the most of that effect here. But the swooping crane-ins and dissolves, combined with the sense of transcendence on the model\u2019s face,recall so many moments of grace throughout his films. These also feature in his pregnancy ad (shot in black and white, save for a climactic burst of Lynch\u2019s favorite color, blue).\u00a0<\/p>\n\n\n\n<p>The story behind the pregnancy strip ads is fascinating, and not just for the prank Lynch pulled on the lead actress\u2014having her actually take a real pregnancy test beforehand and then switching it out with a positive one from a pregnant crew member (the actress was game with the prank, responding, \u201cYou bastard! Very funny!\u201d). An <a href=\"https:\/\/ew.com\/article\/1997\/07\/18\/david-lynchs-commercial-break\/\" target=\"_blank\" rel=\"noopener\"><em>Entertainment Weekly<\/em><\/a> story from the time reveals that Lynch heard about the spots from his agent and campaigned for the gig. The clients were worried he would turn in something weird and scary, but he went out of his way to reassure them and keep them happy on set. However, when pressed by a copywriter with the ad firm about his real motives, he admitted that it was the idea of a psychologically tortured young woman that drew him to the project.<\/p>\n\n\n\n<p>In other cases, it was clear that the client wanted the Lynch touch.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"David Lynch&#039;s Wacky Cigarette Ad\" width=\"760\" height=\"570\" src=\"https:\/\/www.youtube.com\/embed\/vor65mNB8Uk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><br \/>His <a href=\"https:\/\/ca.style.yahoo.com\/david-lynchs-wonderfully-strange-style-112053214.html?guccounter=1&amp;guce_referrer=aHR0cHM6Ly93d3cuYmluZy5jb20v&amp;guce_referrer_sig=AQAAAFSzsUeevKdfWWj9hM3eJ0vNr07JfL1pOPtdRNoe38WWkr2Q1cCzyQQJ-svJ-kTZhc-DrW31HAK8FTegX_Ah_PpHp_EwM9PiLOoGnGTVVjln25itwWkeKVMBZqOYZiNO-E57zxdMqP3uyAPpwO14QnykJBZMHlVppfttQZW1k9VD\" target=\"_blank\" rel=\"noopener\">1991 PSA<\/a> for the New York Department of Sanitation depicts a rat-filled apocalypse, and is stands as one of the most frightening and grotesque things Lynch ever made (a vocal environmentalist, you could tell he put his heart into it), while <a href=\"https:\/\/youtu.be\/vor65mNB8Uk\" target=\"_blank\" rel=\"noopener\">his eerie and infernal ad<\/a> for the French cigarette brand Parisienne bears his credit in the last frame (a lifelong smoker, you can tell he also put his heart into this one).<\/p>\n\n\n\n<p>Meanwhile, he was allowed to go full surrealist for his dizzying <a href=\"https:\/\/youtu.be\/fhkNA0mKmic\" target=\"_blank\" rel=\"noopener\">Adidas <\/a>spot (for which he was reportedly paid a cool million), as well as one for the Nissan Micra, which <a href=\"https:\/\/www.mentalfloss.com\/article\/62767\/15-commercials-directed-david-lynch\" target=\"_blank\" rel=\"noopener\">offered him the opportunity<\/a> to combine his love of modern and retro decor, as well as a visual shoutout to another of his major influences, the Surrealist painter Magritte.<\/p>\n\n\n\n<p>Of all of these outwardly Lynchina examples, my favorite is the exceedingly wacky one he helmed for Playstation\u2019s \u2018Welcome to the Third Place\u2019 campaign. Titled <a href=\"https:\/\/www.bing.com\/ck\/a?!&amp;&amp;p=d0dd310ee6b5fc1743f868afaf272b7f10effc4b4fa6b92ea61ef9b89ac44d3fJmltdHM9MTczODQ1NDQwMA&amp;ptn=3&amp;ver=2&amp;hsh=4&amp;fclid=35886ce7-ff20-66cf-2d60-79aefeb26799&amp;psq=david+lynch+playstation+ad&amp;u=a1aHR0cHM6Ly93d3cueW91dHViZS5jb20vd2F0Y2g_dj0zRkRfXzU4bU8yNA&amp;ntb=1\" target=\"_blank\" rel=\"noopener\"><em>Duck<\/em><\/a>, it features an actor who greatly resembles one of the doomed FBI agents from <em>Twin Peaks<\/em> (a little more Chris Isaak than Kyle MacLachlan, although he gives the latter\u2019s iconic thumbs up gesture to an upside-down reflection of himself at one point) traversing what seems to be a section of the Black Lodge. This baby is loaded with Lynch\u2019s touchstone visuals: dark hallways, billowing smoke, membranous branches, shooting bursts of flame, floating disarticulated heads and severed arms, talking animals, and intentionally uncanny special effects.\u00a0(Another ad in that series, <a href=\"https:\/\/youtu.be\/T4tOvkvCvwQ\" target=\"_blank\" rel=\"noopener\"><em>Bambi<\/em><\/a>, recalls individual scenes from <em>Lost Highway<\/em> and <em>The Straight Story<\/em>.)<\/p>\n\n\n\n<p>It\u2019s ironic that <em>Duck <\/em>feels more like a piece of <em>Twin Peaks <\/em>apocrypha than the actual in-universe <a href=\"https:\/\/youtu.be\/RF5X2t7JyyA\" target=\"_blank\" rel=\"noopener\"><em>Peaks <\/em>commercials<\/a> that Lynch, alongside several prominent members of the cast, filmed in partnership with Georgia Coffee in 1991. These are the classic big name celebrity ads that used to be the sole province of Japanese television, which was initially the only reason Lynch\u2014who said he was morally opposed to these types of product tie-ins\u2014agreed to them. However, he found he had a lot of fun making them, and they do, in turn, make for fun viewing. However, they represent all of the surface quirkiness of <em>Twin Peaks<\/em> that American audiences latched onto, before the more disturbing qualities of Lynch\u2019s artistic vision drove them away. When Lynch (and co-creator Mark Frost) brought the series back in 2017 after a 30-year hiatus, it was the latter qualities they focused on.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"LADY BLUE SHANGHAI, DE DAVID LYNCH\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/R2nGmVtz5_Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><br \/>By that time, Lynch hadn\u2019t directed a feature in 11 years, nor had he done much commercial work. His last film was 2006\u2019s <em>Inland Empire<\/em>. Five years after that, he would direct a 16-minute online promotional short for Dior called <a href=\"https:\/\/youtu.be\/R2nGmVtz5_Y\" target=\"_blank\" rel=\"noopener\"><em>Lady Blue Shanghai<\/em><\/a>. Set in that eponymous Chinese municipality, it stars Marion Cotillard as a business woman who finds a mysterious bag (a Dior handbag, naturally) in her hotel room and feels she is in danger. She eventually meets a phantom-like local with whom she embarks upon a short-lived romance.<\/p>\n\n\n\n<p>Shot in the harsh digital aesthetic of <em>Inland Empire<\/em>, the whole short feels like it exists within that film\u2019s universe, with Cotillard another of Lynch\u2019s women in trouble\u2014only here her journey is not nearly so brutal as most of the others. Still, the first half of this short is awash in the quiet, glacially ratcheting dread that distinguishes so much of his later work.<\/p>\n\n\n\n<p>The commercial advertisements and promotional films of David Lynch are more than simple curiosities for completists. Now that Lynch has shaken off this earthly coil and his work is finished, we can chart his progression as a filmmaker through these short spots. We see how his style changed throughout the years\u2014the early black and white ads reminiscent of the dreaminess of his first few features, the more overtly sinister and surreal ones mirroring the violent nightmares of his middle period, and his final foray an example of his move into a more transcendentalist (or \u2018slow cinema\u2019) aesthetic.<\/p>\n\n\n\n<p>They also show how an artist can healthily thread the line between artistic and commercial pursuits. Lynch never let the latter infect the former, choosing instead to bring his personal artistry to for-hire work.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A look back at the late director&#8217;s forays into commercial advertisements, and how they reflect his personal work.<\/p>\n","protected":false},"author":506,"featured_media":25681,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1381],"tags":[162,1810],"class_list":["post-25672","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movies","tag-movies","tag-obituaries"],"_links":{"self":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/25672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/users\/506"}],"replies":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/comments?post=25672"}],"version-history":[{"count":3,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/25672\/revisions"}],"predecessor-version":[{"id":25683,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/25672\/revisions\/25683"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media\/25681"}],"wp:attachment":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media?parent=25672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/categories?post=25672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/tags?post=25672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}