{"id":26411,"date":"2025-04-22T09:00:00","date_gmt":"2025-04-22T16:00:00","guid":{"rendered":"https:\/\/crookedmarquee.com\/stage8\/?p=26411"},"modified":"2025-05-05T13:39:01","modified_gmt":"2025-05-05T20:39:01","slug":"vodepths-what-to-see-and-avoid-on-demand-this-week-109","status":"publish","type":"post","link":"https:\/\/crookedmarquee.com\/stage8\/vodepths-what-to-see-and-avoid-on-demand-this-week-109\/","title":{"rendered":"VODepths: What to See (and Avoid) on Demand This Week"},"content":{"rendered":"\n<p>In this week\u2019s low-profile VOD releases, grieving women travel the multiverse and conjure a monster, corrupt cops engage in corrupt behavior, and lesbians make ill-advised romantic overtures to a DJ and a vampire.<\/p>\n\n\n\n<p><strong><em>The Night Is Young<\/em><\/strong><strong> (VOD April 18):<\/strong> It\u2019s awkward enough for lesbian content creator Nora (co-writer Sarah McGuire) to bring her brother Jake (Jake Jackson) along to document her dates, but things get even more uncomfortable when Nora\u2019s latest meet-cute turns out to be a vampire. That sounds like the premise for a comedy, but McGuire and director\/co-writer Patrick Rea deliver a surprisingly gruesome horror movie following the lighthearted set-up. The tonal inconsistency makes it difficult to fully engage with the movie, and it doesn\u2019t help that Rea strains to stick with the found-footage format, which fits for a dating influencer but loses its purpose as the story gets more intense. Bloodsucker Amelia (Valeri Bates) hits on Nora after she\u2019s been stood up at a bar, but they barely have time to get acquainted before they\u2019re being pursued by a group of vampire hunters (who conveniently have their own videographer). McGuire and Bates have strong chemistry, but <em>The Night Is Young<\/em> doesn\u2019t entirely work as either an unlikely romance or a gritty vampire movie. <strong>Grade: C+<\/strong><\/p>\n\n\n\n<p><strong><em>The Killgrin<\/em><\/strong><strong> (VOD and select theaters April 25):<\/strong> It\u2019s become a clich\u00e9 for horror movies to reflect personal trauma, but there\u2019s something mildly distasteful about the way that writer-director Joanna Tsanis turns her protagonist\u2019s depression and anxiety into a literal deadly monster. Tsanis spends far too long leaving the grief-stricken Miranda (Konstantina Mantelos) in a state of uncertainty, and there\u2019s no catharsis to her eventual understanding of the dark presence that seems to be killing people around her. Following the suicide of her boyfriend, Miranda initially believes that she\u2019s being stalked by her abusive ex Damien (<em>Ted Lasso<\/em>\u2019s Cristo Fern\u00e1ndez). Although Miranda spends much of her time in group therapy, this isn\u2019t a movie about dealing with domestic violence or PTSD, and it\u2019s tough to tell what exactly Tsanis is trying to say. Cool name aside, the belatedly appearing Killgrin looks quite silly \u2014 like a bloated member of Slipknot \u2014 and both its function and abilities are so nebulous that it\u2019s essentially meaningless, much like the muddled movie that bears its name. <strong>Grade: C<\/strong><\/p>\n\n\n\n<p><strong><em>Mob Cops<\/em><\/strong><strong> (VOD and select theaters April 25):<\/strong> The<a href=\"https:\/\/en.wikipedia.org\/wiki\/Stephen_Caracappa_and_Louis_Eppolito\" target=\"_blank\" rel=\"noopener\"> Wikipedia page<\/a> about the true story that inspired this desultory crime thriller is both more coherent and more exciting than director Danny A. Abeckaser\u2019s film. A closing title card asserts (in all caps and with poor syntax) that it was \u201cthe worst case of corruption in the history of NYPD,\u201d but Abeckaser and screenwriter Kosta Kondilopoulos fail to convey the significance of a pair of New York City police detectives (played by Jeremy Luke and David Arquette) secretly working for local mobsters. It\u2019s the standard stuff of dozens of <em>Goodfellas<\/em>-style crime dramas, complete with competing stilted voiceovers and numerous mustaches of varying authenticity. Abeckaser himself gives the movie\u2019s worst performance as the detective investigating the corrupt cops, who spent the 1980s assaulting, robbing, and killing at the behest of their criminal benefactors. Told in multiple timelines, the plot is needlessly confusing, and the parameters of the investigation are unclear. The actors put on exaggerated Noo Yawk accents, but nothing can make the cartoonish dialogue convincing. <strong>Grade: D+<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"EGGHEAD &amp; TWINKIE (2023) | Festival Trailer\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/01qLI78TbnQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong><em>Egghead &amp; Twinkie<\/em><\/strong><strong> (VOD April 29):<\/strong> His name may come first in the title, but Egghead (Louis Tomeo) is definitely in sidekick position to his best friend and crush object Twinkie (Sabrina Jie-A-Fa). He learns this the hard way when his attempt at seduction ends in Twinkie revealing that she\u2019s a lesbian. So in sturdy teen-comedy tradition, the two recent high school graduates instead embark on a road trip, to meet the hipster DJ that Twinkie has been flirting with online. Obviously things don\u2019t go according to plan, and while Egghead and Twinkie grow closer, it\u2019s a fully platonic intimacy. The leads are charming, and Asahi Hirano adds some appealing affability as the goofy waitress Twinkie doesn\u2019t realize is perfect for her. Writer-director Sarah Kambe Holland augments the story with animated touches that are sometimes too cutesy, and it\u2019s not surprising that the movie has its origins in a viral TikTok campaign. Still, it\u2019s exuberant and sweet and bursting with the endearingly clumsy earnestness of its main characters. <strong>Grade: B<\/strong><\/p>\n\n\n\n<p><strong><em>Ingress<\/em><\/strong><strong> (VOD April 29):<\/strong> Rarely has the multiverse been this sappy or boring, as winery owner Riley (writer-director Rachel Noll James) uses her apparent powers of interdimensional travel for cheesy romantic fulfillment with a creepy weirdo. That\u2019s author and borderline cult leader Daniel (Christopher Clark), who claims to channel an otherworldly entity he calls Lucas (voiced by Tim DeKay). He and Riley connect after the death of Riley\u2019s husband and the return of her periodic shifts into alternate universes (as represented by rudimentary shimmering effects). It takes an hour of the lethargic movie for them to finally lay out their respective paranormal experiences, and another hour for them to find the personal connection that they\u2019re both searching for. In the meantime, extraneous flashbacks and ponderous silences abound, as James plods through the monotony of the characters\u2019 daily lives. Any movie that opens with the dictionary definition of its title sets itself up for a grand, meaningful statement, but <em>Ingress<\/em> can\u2019t even define its own emotional stakes. <strong>Grade: C-<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"INGRESS Official Trailer | scifi movie trailers 2024\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/FjyMgQwoYak?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Our mini-reviews of \u201cMob Cops,\u201d \u201cEgghead &#038; Twinkie,\u201d \u201cIngress,\u201d and more of this week\u2019s on-demand treasures and trash.<\/p>\n","protected":false},"author":539,"featured_media":26415,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[340,1426],"tags":[1436,1427],"class_list":["post-26411","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movie-reviews","category-vodepths","tag-reviews","tag-vodepths"],"_links":{"self":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/26411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/users\/539"}],"replies":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/comments?post=26411"}],"version-history":[{"count":2,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/26411\/revisions"}],"predecessor-version":[{"id":26505,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/26411\/revisions\/26505"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media\/26415"}],"wp:attachment":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media?parent=26411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/categories?post=26411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/tags?post=26411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}