{"id":8577,"date":"2017-12-26T07:47:09","date_gmt":"2017-12-26T12:47:09","guid":{"rendered":"https:\/\/crookedmarquee.com\/stage8\/?p=8577"},"modified":"2018-06-28T13:32:52","modified_gmt":"2018-06-28T17:32:52","slug":"zach-vasquez-says-dont-forget-i-olga-hepnarova","status":"publish","type":"post","link":"https:\/\/crookedmarquee.com\/stage8\/zach-vasquez-says-dont-forget-i-olga-hepnarova\/","title":{"rendered":"Zach Vasquez Says Don\u2019t Forget: <i>I, Olga Hepnarov\u00e1<\/i>"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">With all due respect to troubled figure skaters from the \u201890s, if you see only one <i>I, [Woman\u2019s Name] <\/i>movie this year, make it <i>I, Olga <\/i><\/span><span class=\"s2\"><i>Hepnarov\u00e1<\/i><\/span><span class=\"s1\">. Like the more high-profile American movie to which it bares titular similarity, this Czech film is also based on a shocking true crime story, albeit a far more disturbing \u2014 and, unfortunately, commonplace \u2014 one: in communist Prague of 1973, 23-year-old Olga <\/span><span class=\"s2\">Hepnarov\u00e1<\/span><span class=\"s1\"> killed eight people when she intentionally drove a truck onto a crowded sidewalk. <\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">The film traces Olga\u2019s tumultuous upbringing and her few years of adulthood in the lead-up to her act of mass murder. Shot in a clinical black-and-white, and with little in the way of dialogue or exposition, it does not offer answers so much as it reflects upon Olga in the same brutal, cold manner with which she reflects upon the world, albeit without the all-consuming fury that she clings to like a security blanket.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">(A line she writes in her diary, directed at no one person so much as the entire human race, sums up those qualities: \u201cI, Olga <\/span><span class=\"s2\">Hepnarov\u00e1<\/span><span class=\"s1\">, the victim of your bestiality, sentence you to death.\u201d)<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Young Michalina <\/span><span class=\"s2\">Olsza\u0144ska <\/span><span class=\"s1\">is phenomenal in the lead role. Her natural beauty and brazenness make her initially sympathetic, though quickly enough her madness and misanthropy \u2014 as well as, ultimately, her pitiful hypocrisy \u2014 make her as repellent as she is frightening. Yet, without ever explicitly asking us for sympathy, <\/span><span class=\"s2\">Olsza\u0144ska <\/span><span class=\"s1\">keeps us from fully damning her.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">This is the type of movie that gets labeled &#8220;hard to watch,&#8221; but in fact it is relentlessly watchable in the way that it grasps our attention and holds it, keeping things just mysterious enough that the film never dips into easy miserabilism. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">For cinephiles who prefer to have their spirits pummeled by the likes of Lars von Trier or Michael Haneke, as well as those who simply need to stare into the abyss every now and then to remind themselves what lies outside of it, <i>I, Olga <\/i><\/span><span class=\"s2\"><i>Hepnarov\u00e1<\/i><\/span><span class=\"s1\"> is as much a must-watch film, as it is a hard-to-watch one.<\/span><span class=\"s3\"><br \/>\n<\/span><\/p>\n<p><em><strong>Availability: Netflix, Amazon, iTunes<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>With all due respect to troubled figure skaters from the \u201890s, if you see only one I, [Woman\u2019s Name] movie [&hellip;]<\/p>\n","protected":false},"author":506,"featured_media":8594,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1399,1381],"tags":[],"class_list":["post-8577","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-looking-back","category-movies"],"_links":{"self":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/8577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/users\/506"}],"replies":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/comments?post=8577"}],"version-history":[{"count":0,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/posts\/8577\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media\/8594"}],"wp:attachment":[{"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/media?parent=8577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/categories?post=8577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crookedmarquee.com\/stage8\/wp-json\/wp\/v2\/tags?post=8577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}