Our "Noirvember" celebration continues with Joseph H. Lewis’s 1955 masterpiece, the story of an obsessed cop’s pursuit of a ruthless gangster...

Orson Welles’s 1947 thriller is a must-add for your "Noirvember" watchlist – and a rich match of style and substance.

George A. Romero’s mis-marketed and misunderstood 1972 film is a fascinating example of a genre filmmaker stretching his legs, applying his visual...

John D. Hancock’s 1971 film (now streaming on The Criterion Channel) sounds like a slasher movie, but plays like a psychological drama.

Vernon Zimmerman's horror thriller (released 40 years ago this week) is sort of like if Film Twitter became a serial killer.

Dario Argento’s feature debut – now streaming on Tubi – is also a fine (and spooky) entry point into the world of giallo.

David Cronenberg’s debut feature plays like a road map of the preoccupations that would consume him for the rest of his career.

This week’s Classic Corner pick, a long-forgotten Rod Serling-penned drama from 1956, comes recommended by a highly reputable source.

Robert Siodmak’s 1949 thriller (now streaming on the Criterion Channel) is a master class in noir construction, characterization, and mood.

Alfred Hitchcock’s 1954 favorite (out now in a gorgeous new 4K transfer) remains one of his most effective movies – and one of his kinkiest.

Luis Buñuel’s final film (now streaming on Prime Video) is challenging, often confounding exploration of sex and power.

Terrence Malick's 1978 classic (now streaming on Amazon Prime) remains a gorgeous sensory experience - and a showcase for several magnificent...

The duality that defines Agnés Varda’s Cléo from 5 to 7 is present from, quite literally, its opening frames: a title sequence in which our...

“If everybody want to stick together, I stick with ‘em. But if nobody want to stick together, I stick alone, by myself.”   -Sven...

“That twinkle in your eye,” Clark Gable marvels at Carole Lombard in No Man of Her Own. “Wrap it up for me, will you?” It’s a moment of...