With the Bob Dylan biopic “A Complete Unknown” nabbing 8 Oscar nominations, this week’s pick is the 1965 documentary that captures Dylan at his trickiest.
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With the Bob Dylan biopic “A Complete Unknown” nabbing 8 Oscar nominations, this week’s pick is the 1965 documentary that captures Dylan at his trickiest.
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A more-personal-than-usual reflection on the holiday perennial, now streaming on Amazon Prime.
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Ingmar Bergman’s 13th feature, now streaming on the Criterion Channel and Max, was a breakthrough: “I felt for the first time I’d made a good film.”
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Dick Richards’s 1975 adaptation of ‘Farewell, My Lovely’ (now streaming on Peacock and Amazon Prime) merges ‘70s institutional ennui with the hangdog charms of star Robert Mitchum.
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Woody Allen’s scabrous 1997 comedy fascinatingly intermingles his longtime persona, personal scandals, and biting, semi-surrealist satire.
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Catherine Breillat’s debut feature (now streaming in a Criterion Channel retrospective) is not your typical “summer that changed my life” story.
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Widely sneered at upon its release, Richard Franklin’s 1983 sequel to Hitchcock’s classic holds up just fine on its own terms.
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This riotously funny 1970 social satire (streaming on Amazon, Tubi, and Plex) showcases star Robert De Niro and director Brian De Palma well before the establishment of their respective personas.
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A celebration of Francis Ford Coppola’s other 1983 S.E. Hinton adaptation — one of his strangest and most beautiful films.
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This 1973 production, part of the American Film Theater project, captures awe-inspiring turns by Lee Marvin and Robert Ryan.
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John Huston’s 1982 adaptation of the Broadway smash is a bit of a mess, but an undeniably engaging one.
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John M. Stahl’s Technicolor Noir (the “Gone Girl” of its day) remains a chilling and effective psychological thriller.
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