Ahead of this week’s “Supergirl” release, a remembrance of Matthias Schoenaerts’s cinematic supremacy, a lament for his ongoing fallow period, and a hope that there’s the end to it in sight.
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This week’s minor VOD releases feature Hollywood send-ups of wildly varying quality, plus Ukrainian animals, a Finnish cult leader, and the inexplicable durability of Edward Burns. Finnegan’s Foursome (VOD June 19): Unlike some one-hit wonders of the 1990s indie-film boom, Edward Burns has never stopped making movies, even as his budgets and audiences have dwindled. […]
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The 1977 cult favorite (joining the Criterion Collection this week) is a “Salò”-esque fable of the tackiness of fascism.
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Raoul Walsh’s chronicle of the Prohibition era is a thrilling American epic in miniature.
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John Early writes, directs, and stars in this absurdly funny yet earnest satire.
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“Gidget” popularized teen beach movies, but Cliff Robertson is its deep, dark soul.
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From the start of her music career, Love engaged with the mythos and toxicity of the movies. It was inevitable that the movies would eventually come calling.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Our third and final report from the Tribeca Festival goes heavy on non-fiction, with mini-reviews of “Chris & Martina: The Final Set,” “Time Warp,” “Spin Wars,” “Odyssey,” and more.
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Some movies are classics for a reason. Carol Reed’s 1949 thriller, back in theaters in a new 35mm re-release, is one of them.
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Our second report from Tribeca ’26 includes mini-reviews of “Act One,” “Lucy Schulman,” “The Accompanist,” and more.
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RuPaul’s disaster movie spoof is, well, a disaster.
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