Our mini-reviews of “Summer’s Last Resort,” “Hot Girl Summer,” “Mockbuster,” and more of this week’s on-demand treasures and trash.
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Richard Linklater’s animated take on Philip K. Dick’s classic novel remains disturbingly relevant two decades later.
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Don’t let Harvey Weinstein win. Here’s why James Gray’s period drama, which the disgraced distributor attempted to bury over a decade ago, deserves to be recognized as both a masterpiece and a canonical work of American cinema.
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Often viewed as his most “normal” film, David Lynch’s sophomore feature is as Lynchian as what came before and after it.
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Degaussed documents, time travel, stunt-casting: And you thought Freedom 250 was a fiasco.
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A commercial disappointment on its release in the summer of 1986, John Carpenter’s action comedy has proven to have remarkable staying power.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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David Hughes’s chronicle of the disastrous production of the notorious Bruce Willis bomb is a funny, informative page-turner — and a lament for the persona (and even the kind of film) that it unceremoniously ended.
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The 1987 screwball comedy is a Swiss watch of comic precision.
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Jeannot Szwarc’s 1984 film about Kara Zor-El is full of corny and endearing details that mark it as a charming relic and a character (and story) ripe for revision.
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Witty bickering buoys this black comedy about marital dysfunction starring Olivia Wilde, Seth Rogen, Penélope Cruz, and Edward Norton.
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Ahead of this week’s “Supergirl” release, a remembrance of Matthias Schoenaerts’s cinematic supremacy, a lament for his ongoing fallow period, and a hope that there’s the end to it in sight.
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