On the eve of its new Criterion release, a look at why this 1935 adventure is more than just swords and sea battles.
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On the eve of its new Criterion release, a look at why this 1935 adventure is more than just swords and sea battles.
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Even recency-biased Netflix can’t help streaming this 1973 Best Picture winner, a fast-paced delight that floats on the considerable charms of Robert Redford and Paul Newman.
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You’ll laugh, you’ll cry, you’ll puke.
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A year after his passing, we look back at the small but eclectic list of films that the singular filmmaker produced.
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Remaking “Psycho” was always a fool’s errand, but Gus Van Sant’s infamous shot-for-shot redo is a fascinating experiment in reinterpreting a classic.
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The two newest movies in the Criterion Channel’s recently launched Directed by Atom Egoyan collection may initially seem like late-career afterthoughts for the Canadian filmmaker who’s best known for his 1994 international breakthrough Exotica and his 1997 Oscar-nominated drama The Sweet Hereafter. But while 2005’s Where the Truth Lies and 2009’s Chloe may not have […]
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Ang Lee’s adaptation of Rick Moody’s novel – part of the Criterion Channel’s ’70s movie series – delves beneath the surface of a turbulent time in America’s not-too-distant past.
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No more talk of “Ella McCay” — let us instead look back at James L. Brooks’s feature screenwriting debut, now streaming on the Criterion Channel.
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This intimate documentary reveals the schisms of an Israeli-American family after their daughter and son-in-law were abducted by Hamas.
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The new independent drama “Rosemead” turns the spotlight on a section of Los Angeles that’s rarely recognized on screen.
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Our mini-reviews of “Super Happy Fun Clown,” “Sleepwalker,” “Tapped” and more of this week’s on-demand treasures and trash.
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