Bill Pullman has stolen two forgotten comedies about perfect crimes and imperfect criminals with strangely similar supporting roles that remind just how much we’ve always taken him for granted.
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Bill Pullman has stolen two forgotten comedies about perfect crimes and imperfect criminals with strangely similar supporting roles that remind just how much we’ve always taken him for granted.
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The 76th edition of the German festival was its most controversial in years, but not really because of the films themselves.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Certainly Billy Bob Thorton’s work in “The Man Who Wasn’t There,” joining the Criterion Collection this week, is in the running.
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In two 1950s noirs celebrating their anniversaries this month, underrated star Rhonda Fleming brings warmth and vulnerability to the femme fatale.
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John Wayne and John Ford’s final collaboration is a freewheeling goof, a hang-out movie full of drinking, brawling, singing, and camaraderie.
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Baz Luhrmann’s documentary companion to his “Elvis” biopic is a thrilling act of cultural archeology and discovery.
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At just 20 years old, Greta Garbo sailed from Sweden to the United States to film “Torrent,” the first of three pictures released in 1926. In the words of one prescient newspaper writer, “Miss Garbo is scheduled for stardom.”
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Controversial Polish director Andrzej Zulawski passed away in February 2016, months before his final film debuted in America. Ten years later, we look back on his absurdist swan song.
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Our mini-reviews of “Ted Bunny,” “Hellfire,” “Last Ride,” and more new under-the-radar on-demand offerings.
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Tim Curry’s outrageous and insouciant performance as an iconic pirate helps this family-friendly adaptation stand the test of time.
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In Luis Buñuel’s overlooked adaptation, the frenzied emotions of Heathcliff and Cathy are transported to the barren plains of Mexico.
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