This oddball family fantasy has been sitting on a shelf since 2014, and it’s not hard to see why.

With Sundance around the corner, we look back at perhaps the most disastrous of Miramax’s many ill-advised, overpriced festival pick-ups.

Aaron Sorkin’s Lucille Ball biopic is a mess – indulgent, solemn, and dull. Our review:

Back in 1997, Miramax did Guillermo del Toro dirty. With his “Nightmare Alley” on the way, we look back at that ill-fated collaboration.

Jason Reitman’s take on his father’s biggest hit is, hilariously, far more indebted to the work of Steven Spielberg than elder Reitman.

This month’s look back at the cinematic misdeeds of Miramax is a holiday special, spotlighting two dysfunctional family Thanksgiving movies:

The scares in Scott Cooper’s horror drama are too long in coming, and ultimately not worth the wait.

In 2002, director Wes Craven and screenwriter Kevin Williamson reunited and returned to Miramax to recreate the magic of “Scream.” It did not go...

Netflix’s new Melissa McCarthy vehicle is an odd mishmash of incongruent tones and poorly developed characters.

This month’s look back at the cinematic misdemeanors of Harvey Weinstein collides with his real-life crimes.

Nia DaCosta’s ‘Candyman’ remake is sharp, scary, thoughtful – and a vast improvement over the 1992 original.

This month’s summary of the cinematic misdeeds of Harvey Weinstein looks back at ‘Dead Man,’ the Jim Jarmusch Western that Miramax tried to...

The new Mark Wahlberg drama has its heart in the right place… and little else.

This month, we examine the woefully misguided flight attendant “comedy” ‘View From the Top,’ which Weinstein and company tastefully shelved...

“Zola” is entertaining, to be sure, but this Twitter-thread journey is ultimately a road to nowhere.