Thomas Schatz’s new book takes you back to the deals, triumphs, and disasters that went down during the golden age of “Conglomerate Hollywood.”
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Our mini-reviews of “The Birthday Party,” “If These Walls Could Rock,” “Over/Under,” and more new under-the-radar on-demand offerings.
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Our mini-reviews of “Son of Sara,” “Evil Follows,” “Demon Hunters,” and more of this week’s on-demand treasures and trash.
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Our mini-reviews of “Bull Street,” “Lars Shrike Walks the Night,” “Sour Party,” and more new under-the-radar on-demand offerings.
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Our mini-reviews of “Summer’s Last Resort,” “Hot Girl Summer,” “Mockbuster,” and more of this week’s on-demand treasures and trash.
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Ahead of this week’s “Supergirl” release, a remembrance of Matthias Schoenaerts’s cinematic supremacy, a lament for his ongoing fallow period, and a hope that there’s the end to it in sight.
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Our mini-reviews of “Finnegan’s Foursome,” “Love is the Monster,” “Animals in War,” and more new under-the-radar on-demand offerings.
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Our mini-reviews of “Chum,” “Broken Land,” “This Tempting Madness,” and more of this week’s on-demand treasures and trash.
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Our mini-reviews of “Driver’s Ed,” “Reckless,” “I Was a Teenage Sex Pistol,” and more new under-the-radar on-demand offerings.
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You can hear Merrill Garbus’s skill for subverting expectations in her long-term collaboration with the polymathic Bay Area filmmaker and musician Boots Riley
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Our mini-reviews of “Scarborn,” “Salt Along the Tongue,” “The Butcher’s Blade,” and more of this week’s on-demand treasures and trash.
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Our mini-reviews of “Ballistic,” “Itch!,” “The Wolf and the Lamb,” and more new under-the-radar on-demand offerings.
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