Our mini-reviews of “Clean Hands,” “I See the Demon,” “Love Language,” and more new under-the-radar on-demand offerings.
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Alex Gibney has built a career making the biggest liars of our time compellingly watchable. Ahead of his four-hour Elon Musk documentary, a look at how he does it.
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Our mini-reviews of “Backpay,” “Dolph: Unbreakable,” “Tie Die,” and more of this week’s on-demand treasures and trash.
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Our mini-reviews of “The Depths,” “Twiggy,” “Battle Cabin,” and more new under-the-radar on-demand offerings.
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Our mini-reviews of “Maya & Samar,” “The Militia,” “Knightfall,” and more of this week’s on-demand treasures and trash.
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Thomas Schatz’s new book takes you back to the deals, triumphs, and disasters that went down during the golden age of “Conglomerate Hollywood.”
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Our mini-reviews of “The Birthday Party,” “If These Walls Could Rock,” “Over/Under,” and more new under-the-radar on-demand offerings.
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Our mini-reviews of “Son of Sara,” “Evil Follows,” “Demon Hunters,” and more of this week’s on-demand treasures and trash.
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Our mini-reviews of “Bull Street,” “Lars Shrike Walks the Night,” “Sour Party,” and more new under-the-radar on-demand offerings.
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Our mini-reviews of “Summer’s Last Resort,” “Hot Girl Summer,” “Mockbuster,” and more of this week’s on-demand treasures and trash.
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Ahead of this week’s “Supergirl” release, a remembrance of Matthias Schoenaerts’s cinematic supremacy, a lament for his ongoing fallow period, and a hope that there’s the end to it in sight.
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Our mini-reviews of “Finnegan’s Foursome,” “Love is the Monster,” “Animals in War,” and more new under-the-radar on-demand offerings.
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