At long last, the live action/Looney Tunes hybrid is in theaters. Was it worth the wait?
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At long last, the live action/Looney Tunes hybrid is in theaters. Was it worth the wait?
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Kent Jones’s latest indie drama is a character study boasting a warm, lived-in performance by Willem Dafoe and a thankfully nuanced take on the life of a writer.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Ross McElwee’s latest documentary is a profound exploration of loss, grief, family, and the time-machine quality of nonfiction cinema.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services.
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Our third and final report from the Tribeca Festival goes heavy on non-fiction, with mini-reviews of “Chris & Martina: The Final Set,” “Time Warp,” “Spin Wars,” “Odyssey,” and more.
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Some movies are classics for a reason. Carol Reed’s 1949 thriller, back in theaters in a new 35mm re-release, is one of them.
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Our second report from Tribeca ’26 includes mini-reviews of “Act One,” “Lucy Schulman,” “The Accompanist,” and more.
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