Our final report from NYFF 64 includes thoughts on “Godzilla Minus Zero,” “Paper Tiger,” “Behemoth!,” “The Debut,” “The Only Living Pickpocket in New York,” “A Statement,” “Bucking Fastard,” and more.
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The convicted criminal, later a successful crime writer and filmmaker, was the subject of the retrospective at the 2026 San Sebastián Film Festival.
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The 64th New York Film Festival kicks off tonight, and we’ve got some recommendations, including “Fjord,” “NAZA,” “Making Marie Antoinette,” “Tender Loving Care,” and the restored “The Devils.”
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Our TIFF coverage concludes with reviews of “Elsinore,” “Babies,” “Misty Green,” “Closing Night,” “Tangles,” “Love of Your Life,” “All That She Wants,” and more.
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Our mini-reviews of “Wild Horse Nine,” “Club Kid,” “The Face of Horror,” “The Stunt Driver,” “Stuffed,” and more of his year’s buzziest titles from TIFF.
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Did the Venice Film Festival turn out as poorly as the lineup originally looked? Our correspondent says yes, but that doesn’t mean there were not standouts and surprises worth highlighting all the same.
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The retrospective of the 79th Locarno Film Festival dealt with one of the darker pages in Hollywood’s history.
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The 80th anniversary of the Czech film event was a suitably grand and celebratory affair.
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Our third and final report from the Tribeca Festival goes heavy on non-fiction, with mini-reviews of “Chris & Martina: The Final Set,” “Time Warp,” “Spin Wars,” “Odyssey,” and more.
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Our second report from Tribeca ’26 includes mini-reviews of “Act One,” “Lucy Schulman,” “The Accompanist,” and more.
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Our first report from Tribeca, with mini-reviews of “Earth, Wind & Fire (To Be Celestial VS That’s the Weight of the World),” “Bob and David Climb Machu Picchu,” and more
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The Los Angeles-based film fest celebrating “the cinema of despair” expands globally, bringing arthouse audiences together in shared misery.
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