One more report from Austin, with mini-reviews of “The Sun Never Sets,” “Pretty Lethal,” “Forbidden Fruits,” “DreamQuil,” and more.
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Our first report from Austin includes mini-reviews of “Chili Finger,” “Plantman and Blondie,” “We are the Shaggs,” and more gems from this year’s SXSW Film & TV Festival.
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The 76th edition of the German festival was its most controversial in years, but not really because of the films themselves.
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The 2026 International Film Festival Rotterdam devoted one of its retrospectives to Japanese direct-to-video genre movies.
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Our final report from the just-concluded Sundance Film Festival includes mini-reviews of “Josephine,” “Soul Patrol,” “The Musical,” “Zi,” and more.
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Our second report from the Sundance Film Festival includes mini-reviews of “The Invite,” “The Weight,” “I Want Your Sex,” “Knife: The Attempted Murder of Salman Rushdie,” “Gail Daughtry and the Celebrity Sex Pass,” and more.
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Our first report from the last Sundance Film Festival in Park City, with mini-reviews of “Buddy,” “Broken English,” “Once Upon a Time in Harlem,” “Paralyzed By Hope: The Maria Bamford Story,” and more.
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With the books closed on another New York Film Festival, we take a look at some of the highlights, including “Springsteen: Deliver Me From Nowhere,” “It Was Just an Accident,” “Cover-Up,” “Anomone,” and “Father Mother Sister Brother.”
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The 63rd annual New York Film Festival kicks off today, so here are a few recommendations for movies to seek out in the two-plus weeks to come.
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At Austin’s annual genre film festival, the best movies have the harshest vibes.
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Our second report from the Toronto International Film Festival includes thoughts on “Bad Apples,” “The Christophers,” “Normal,” “Adulthood,” “Blue Heron,” “Lucky Lu,” “Orwell: 2 + 2 = 5,” “Blue Heron,” and more.
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Our first report from this year’s Toronto International Film Festival includes mini-reviews of “Wake Up Dead Man,” “Dead Man’s Wire,” “Christy,” “No Other Choice,” “Hamlet,” and more.
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